A Quote by Nicole Holofcener
I have a boundary problem... I need to know when to give and when to back up. I'll help someone across the street and then into their homes and they'll start telling me all their problems... and it turns out they're insane and want to kill me. I've got to know when to stop!
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No," said Simon. "I know we're not much compared to you, but we don't kill our friends. We try to save them. If Heaven didn't want it that way, we ought to have been given the ability to love." He shoved his hair back, baring the Mark more fully. "No, you don't need to help me. But if you don't, there's nothing stopping me from calling you up again and again, now that I know you can't kill me. Think of it as me leaning on you Heavenly doorbell... forever.
I don't know what he meant by 'they're after me.' And then I said, 'You know, Bobby, I'm here for you. If you need any help, give me a call.' And then he did call me about a week later, and wanted to know if I had a good attorney.
I know that people who have been closely involved with my work for many years are terrified of having to answer to someone else, someone who is not me, and that it won't be me to help them in their problems. This is my real problem.
So when we come across somebody who does understand this and makes an effort to try and explain it to us, some people freak out and turn that person into either an object of worship or, some people freak out and want to kill that person. I think it's because they know what's true but they don't want to know, they don't want to face up to what that actually means. So they're going to kill the messenger and hope that by doing so they'll destroy the message so they can go back to living their ordinary life again.
In this mob of I's inside, which one is me? Hear me out. I know I'm wandering, but don't start putting a lid on this racket. No telling what I'll do then. Every moment I'm thrown by your story. One moment it's happy, and I'm singing. One moment it's sad, and I'm weeping. It turns bitter, and I pull away. But then you spill a little grace, and just like that, I'm all light. It's not so bad, this arrangement, actually.
I got a lot of problems, but I'm really good at intuiting what I need to do to be happy with whatever I create. I know when to stop myself, I know when to start, I know when to leave something alone. I guess I just kind of indulge that completely, and so I just take my time.
I never want to write something until I know every scene in the movie. I don't want someone hiring me and then me not being able to write it. Which is always a fear. So I like to figure it out, know all the characters, and know almost every scene in the movie before I start writing.
I used to want to be a pro wrestler first, a stuntman if I couldn't do that, and a fireman to fall back on. The guy who used to live across the street from me was the fire chief, so he was going to help me out if I didn't succeed at the other things.
My parents told me they were going to kill me at least a thousand times growing up. "I'm gonna kill you," and then they'd whack me on the side of the head or whatever. And "What's wrong with you?" And "I'm gonna lock you up," and "I'm gonna throw you out the window," and "I'm gonna kill you." You know, all these things that you say in the heat of a normal chaotic household.
No, you don’t need to help me. But if you don’t, there’s nothing stopping me from calling you up again and again, now that I know you can’t kill me. Think of it as me leaning against your Heavenly doorbell… forever.
I'm not hopeless, that's the problem. I'm too hopeful, if anything ... I'm so thick-headed it's taken me this long to give up on men, but I can't give up completely, you know? So I ... I channel all my hope into an idea, to someone who can't reject me because he isn't real!
I grew up across the street from, you know, the Villarias, which was a great Mexican family there. In fact, there was three houses right across the street from me. So, day and night, I listened to Mexican music, and I'm sure, you know, my guitar playing, singing, writing, whatever, has a lot of Mexican flavor there, but it comes natural.
Some may say that such a girl is not ready for a relationship with a man, especially a man in his late sixties. But to that I say: We don't know anything. We don't know how to cure a cold or what dogs are thinking. We do terrible things, we make wars, we kill people out of greed. So who are we to say how to love. I wouldn't force her. I wouldn't have to. She would want me. We would be in love. What do you know. You don't know anything. Call me when you've cured AIDS, give me a ring then and I'll listen.
When I go back to Texas, I travel the state, and I see people all the time who come up to me, men and women across Texas, and they grab me by the shoulder, and they're afraid. They say, 'Ted, you know, I just lost my health insurance. I got a child with diabetes. I'm scared. Please stop this from happening.'
I search my brain for the truth. “I want it more than anything, just as long as you promise me one thing.” “And what’s that?” “That if at any time it gets to be too much for you, you’ll leave me—walk away and get out.” “That will never happen,” he guarantees me. “You need to give me some credit. You left me, ripped out my heart, and then came back acting like a robot, and you know what? We made it through. You and I, good or bad, belong together. We make each other whole.
I don't think the government is out to get me or help someone else get me but it wouldn't surprise me if they were out to sell me something or help someone else sell me something. I mean, why else would the Census Bureau want to know my telephone number?
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