A Quote by Nicole Holofcener
I do think things like old furniture and art are arbitrarily assigned. And I say that coming from an uneducated place in terms of, you know... art... curating. But who's to say what's valuable and what's not? I guess I feel like in the end it's all pretty meaningless 'cause we're all going to die.
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For me, the idea of curating can be expanded. Curating science, curating art, music and theater and performance and not only bring those things into art but bring art into those areas.
Art collectors are pretty insignificant in the scheme of things. What matters and survives is the art. I buy art that I like. I buy it to show it off in exhibitions. Then, if I feel like it, I sell it and buy more art.
Defining art is huge; I feel like it's such a subjective thing. It's more like what's not art. You know what I mean? I think there can be an art in the way people live their lives, and art can be a gift someone gives to somebody.
Stand-up is an art but since it's humor and it's funny - a lot of guys that don't think it's art are probably coming from the angle that they don't want to take it so seriously. I've always looked at it as an art but I don't look at it as a pretentious art. I understand it has to be taken lightly because it is just comedy in the end, but the good stand-up comics are someone with something to say.
I think there is a debate in the arts about, you know, whether we must strive for art for art's sake, and you know, kind of try to keep political debate out of our work. And to that I say, I'd like you to show me an example of, you know, this so-called apolitical art. I don't think there's any such thing.
It's pretentious to say, but my art is like a little Zen story, a story with a question mark at the end. People can take from it what they need. If somebody says, "Your art is very funny," I say, "You are totally right." If somebody says, "Your art is very sad," I say, "You are totally right." In Japan they say, "Your art is very Japanese, you even look Japanese.Your great-grandfather was most surely a Japanese man." And I say, "You are totally right."
I definitely do not think of makeup as, like, a validation type thing. For me, it's a creative outlet and an art form. It's not like, 'Oh my God, I need to feel pretty.' It's like, 'This is so cool. I just created art on my face.
I always loved fashion and clothes. Not because I think that's a woman's place, but because I care about aesthetics. I like art; I like going to art museums, and to me, these things are just manifestations of one's aesthetic sense.
Art morphs with what's going on in the world. We say 'Ferguson'; we don't say 'Mike Brown.' Just like we say 'Selma,' not 'Jimmie Lee Jackson.' There is something startling about the people in a particular place, a city or a small town, rising up and taking to the streets.
I wouldn't say the purpose of making art is to enjoy it necessarily. For me, it happens to be the thing I enjoy the most. I don't even know what the purpose of art is really, I just know that is something that makes me feel satisfied in a way that other things don't. That's all I know, that's why I like to write songs and films or draw. I just like to make things and somehow I find it gives me a feeling of satisfaction that I can't find in other areas of my life.
When I was younger I was very opinionated about art. And then, I realized that I kind of recognized this pattern where the things that I was vehemently of pissed off about, I would end up loving them two years later. So I just tried to mellow out. Like there's art that I think is pretty silly, but it doesn't get under my skin like it used to.
I like art that challenges you and makes a lot of people angry because they don't get it. Because they refuse to look at it properly. Rather than open their mind to the possibility of seeing something, they just resist. A lot of people think contemporary art makes them feel stupid. Because they are stupid. They're right. If you have contempt about contemporary art, you are stupid. You can be the most uneducated person in the world and completely appreciate contemporary art, because you see the rebellion. You see that it's trying to change things.
I live in a pretty liberal place, so it's a lot of hidden racism and things like that. If you really look up California, it's a really shitty place when it comes to things like that. So I think it will just take time. Old people have to die. Once the generation right under my Mom dies, we'll be fine.
When people say, "Show your face, you're not ugly." I want to say, "I know. I'm not doing it because I think I'm ugly; I'm trying to have some control over my image. And I'm allowed to maintain some modicum of privacy. But also I'd like not to be picked apart or for people to observe when I put on ten pounds or I have a hair extension out of place." Most people don't have to be under that pressure, and I'd like to be one of them. I don't go on Twitter. Because when people say things like, I don't know, "I hope you get cancer and die," it hurts my feelings.
I think that a lot of artists have succeeded in making what I might call "curator's art." Everybody's being accepted, and I always want to say, "Really? That's what you've come for? To make art that looks a lot like somebody else's art?" If I am thinking of somebody else's art in front of your art, that's a problem.
In '68 I was 13 years old, so I was a child, but I felt a lot of excitement in listening to things, looking at the pop art coming over from America. My father was an art collector, and he was coming home with these strange pieces of art that weren't exposed in museums. At the time, it was quite revolutionary, very adventurous.
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