A Quote by Nicole Nielsen Horanyi
I find it rare to see truly complex portraits of women on film.
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It's rare for the studios to find a filmmaker who wants to make a family film. To find someone that has an idea, embraces it, has kids and wants to make something exciting - well, they don't see that too often.
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Women are really complex and totally enigmatic. Humans are really complex, but in film, we've only ever seen that with men. We've seen antiheroes time and again with male characters.
It's very rare to get a film script that has good dialogue. A lot of the time, you spend on film sets really fighting to find out how to say the words.
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We all think that we are uniquely complex, that no one can see what we are thinking - yet we also believe that we have the rare ability to read others. This fascinates me at the moment.
It's rare to find a film that goes for broke and says, 'To hell with the consequences.'
I call it a comedy film, but I feel that is because 'Sholay' is a complete film. It is the best in every aspect. You see the music, the editing, dialogues, action, drama, tragedy, and the emotions of this film and you will find everything is perfect. It is a flawless film.
One can find women who have never had one love affair, but it is rare indeed to find any who have had only one.
The way a film is made tells you about its message. The processes are the same as the products. We made the film starting from processes that allowed us to find these complex ideas.
So, first, I wanted to be a part of the project because I thought it was an important story to tell. On top of that, it's rare to find roles for strong, young, feisty women, especially in a military film. And I love that Suarez ends up being the moral compass of the story, and that she's also brave enough to stand up to all these men.
Especially for young girls growing up, it would be lovely to see strong women who don't necessarily need to be sexy or find that interesting. Or have to be the girlfriend or the mother. They can play complex characters that you want to follow and make you believe that you can be strong as well.
When you see a finished film, it's very rare that it exceeds your expectations.
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I'm trying to find these rare moments where you feel completely illuminated. Facts never illuminate you. The phone directory of Manhattan doesn't illuminate you, although it has factually correct entries, millions of them. But these rare moments of illumination that you find when you read a great poem, you instantly know. You instantly feel this spark of illumination. You are almost stepping outside of yourself and you see something sublime.
