A Quote by Nigel Lythgoe
Tap dancers find it very difficult to do anything other than tap if that is all they have been trained in because, again, it's a whole different ballgame that you're constantly working on - bent legs, loose ankles - which you cannot afford to do when you're doing jumps or anything else.
Related Quotes
Talking with other artists is an incredible process. You engage with the work very differently...a nd different relationships between different works start to emerge. To tap into that energy-to tap into that moment-is great for me as an exercise.
Writing is very good for household tasks. Because you'd rather fix a dripping tap or paint an old wall - you'd rather do almost anything than sit and write. I have to reach a point of obsession in order to write, and so I find starting a book incredibly difficult.
The sound of tap is not 'clickety clickety tap tap,' this monotone thing. The sound of tap has depth. We want you to hear the different highs and lows, the bass, the trebles and the melodies, if you can.
I grew up watching Gregory Hines banging out rhythms like drum beats, and Jimmy Slyde dancing these melodies, you know, bop-bah-be-do-bap, not just tap-tap-tap. Everyone else was dancing in monotone, but I could hear the hoofers in stereo, and they influenced me to have this musical approach towards tap.
I'm a tap dancer. Once you're a tap dancer, you're always a tap dancer. In 'After Midnight,' I get to dance, but I don't do a full tap number.
I am realizing and accepting my role as a tap dancer in this world is not only to tap dance for the sake of performance, but through tap dance be able to share and spread a message and congregate with people I would not necessarily be with had it not been for dance.
My brother became so enamored with that film [West Side Story], that he started taking tap-dancing lessons, and I followed him and started tap dancing, and my mother and father started tap dancing - I was in a class with my family, tap dancing!
I love doing features, but it's a very different ballgame. Sometimes I yearn for short films again, working with a small team, getting my hands on the clay.
It's all about you, Colie." She touched one finger to her temple, tap tap tap. "Believe in yourself up here and it will make you stronger than you could ever imagine." There is something infectious about confidence. And for that one moment, with my eyebrows burning and my eyes watering, I believed. "And good hair never hurt either.
There are many different styles of, and approaches to, tap. My own leans towards a more intellectual view: tap dancing not just for the sake of entertainment but to educate and spark emotion.
The Nicholas Brothers were the best tap-dancers. I'm not talking about their flash-dancing, I'm talking about tap-dancing. They were really saying something with their feet.
I would expunge the word "aptitude" from our vocabulary, because if you're interested in something, that's all that matters. You'll spend more time doing it, that than anything else, and possibly more time doing it than anybody else. And that's all that matters, because in the end, if you love what you do, you'll be your best at it compared to anything else you might have chosen as a career.
When you find real jazz on the radio dial, it comes in all static-y. It's just like tap dancers. You have to go uptown to find the real hoofers. We only come to midtown if we're called upon.
I've been dancing my entire life. Jazz, hip hop, ballet. And then there's tap dancing. I love to tap.
Tap into people's emotions. We've all been put to sleep by a speaker who just gives the facts. You must tap into people's feelings.
I was a working-class kid in a middle-class environment. Fashion was my way of saying, 'You can tap me for this and tap me for that, but you can't deny I look good.'
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