A Quote by Nigel Lythgoe
I think British audiences are accustomed to the 'boo' factor and pantomimes.
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Saliva has antibacterial properties. It also has things called nerve growth factor, skin growth factor, histatins which help with wound closure. So when you see an animal licking a wound or even a mom kissing a child's boo-boo, there's some, there's some good science behind why one might do this.
If you want to boo, I want you to boo me as loud as you can, because I think that's a sign of respect: You don't boo the bad players; you boo the really good ones.
British audiences are toughest on British films. So often, a British film is the last thing they want to see. If you please them, you really know you've made an impact.
The words are the words. Seriously. Meaning you don't have boo-boo words. You can do boo-boo things. You can have sex, carnage, mayhem, whatever you're looking for. "The Evil Dead" movies, in my opinion, function better in an unrestricted world.
If you want to boo, that's your right. Boo. Go ahead. Boo me all day long.
Sometimes audiences love you because they get to boo you.
I don't enjoy British shows as a rule because British audiences are strange.
I remember one review of The Office Christmas Special that compared it unfavourably to Dickens. What? You're saying I'm not as good as the greatest storyteller ever. Boo! Boo! I think I can live with that.
The American audiences are more vocal and enthusiastic. British audiences tend to sit back a little more.
People love the traditional pantomimes and I don't think we need to disregard that tradition.
Boo: "Go talk to her." Callum: "About what?" Boo: "Anything." Callum: "You want me to walk up to her and say, 'Are you a ghost?'" Boo: "I do that." Callum: "I love it when you get it wrong.
San Francisco has always been my favorite booing city. I don't mean the people boo louder or longer, but there is a very special intimacy. When they boo you, you know they mean you. Music, that's what it is to me. One time in Kezar Stadium they gave me a standing boo.
British audiences tend to want to see their own lives reflected on TV, whereas American audiences are quite aspirational and enjoy high-concept shows that show them lives that are perhaps slightly more exciting than they aspire to.
A designer…has the true responsibility to give his audiences not what they think they want, for this is almost invariably the usual, the accustomed, the obvious, and hence, the unspontaneous. Rather, he should provide that quality of thought and intuition which rejects the ineffectual commonplace for effectual originality.
The X Factor is something that's real. Once you find that X Factor, it's undeniable. No matter what the critics say about our band, we obviously have the X Factor. Redfoo has got the X Factor.
With 'The X Factor' I think the audiences have lost faith and trust in it so that's its problem. You want to be watching something real and dynamic and something you can trust and believe in.
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