A Quote by Nigel Pearson
I have to accept the trouble I've got into, a lot of it has been either decisions I've made or probably not thought long and hard enough about.
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Ironically enough, why I got into politics is because I came to the conclusion that if you wanted to save the world, which in my mind was through the environment, those elected officials seemed to be the ones who made a lot of the important decisions, if not the most important decisions.
Well there are tough decisions necessary in budgets. I agree there are tough decisions necessary to ensure the long-term health of the budget. What I don't accept and will never accept is that those decisions must be unfair as a matter of course.
Sometimes hard decisions have to be made, and sometimes wonderful decisions have to be made. You've got to be willing to make them all.
As long as I was in Washington I never met anybody that I thought was good enough, who knew enough, or who loved enough to make sexual decisions for anybody else.
Everyone has to be receptive to the decisions of the ANC because that is the political center. You have got to accept the decisions, and you also have to accept the direction that you are given by the ANC.
We understand what the difference is between what we understand and what the community understands about what we're doing because they have supported us long enough for me to stay out here, while other people who are doing other things have not. A lot of people have trouble pinning down what it is we do and how. But we don't have any trouble with that. As long as that's their problem, it's their problem.
I was writing a story, 'The Artistic Career of Corky,' about two young men, Bertie Wooster and his friend Corky, getting into a lot of trouble, and neither of them had brains enough to get out of the trouble. I thought: Well, how can I get them out? And I thought: Suppose one of them had an omniscient valet?
It's very hard to write about that which is always beautiful and pleasant and good. You don't get anywhere with it. There's no friction in it. There's no trouble. You have to have trouble. Somebody's got to get in trouble, or no one wants to read it.
It was a dream, and in dreams you have no choices: either there are no decisions to be made, or they were made for you long before ever the dream began.
I didn't really think a lot about religion, but I didn't really think a lot against it, either. I was one of those people who didn't go to church, but when I got in trouble I kinda pleaded with God - whoever that was.
Thousands of years of ideological, philosophical and practical decisions were made. They altered the surface of the earth, the coordinates of our souls. For every one of those decisions, maybe there's another decision that could have been made, should have been made.
I suddenly thought about being backstage, and I think it shocks you to meet the people you shared your bedrooms with. And a lot of them either take themselves too seriously or don't know how to take themselves at all. But I wanted to be aware in a very sarcastic way that every song I've written has probably been written about 12-16 times before. And doing that makes it very hard for me to accept serious singer-songwriters in the world, the up-and-comers, the ones who are out there who let that define their every move, who live and die and breathe for it. It's a bit of a tragedy, I think.
To me, there was an interesting movie to be made about two people who had been on that whirlwind romance and what happens after the fairy tale wedding. And this thought coincided or coalesced when I was at a wedding of a friend who got married to somebody that literally everybody in the congregation thought that you definitely should not get married to. This was the worst idea either of you have ever had.
Having toured a lot really influences some of the decisions you make in the studio - is this part anthemic enough for people to want to sing to it at a show? is this part dynamic enough? Is this drum beat 'arena' enough? You think about it a lot when you are creating, for sure.
First, there has been a lot of interest in The Drive-in, but, alas, it hasn't actually come to fruition. Maybe soon. Don really got Bubba and I didn't think it could be a film. I thought it was too odd to make it to film. He asked me to do the screenplay, but I declined. I didn't see that it could be a screenplay but he wrote one and proved me wrong. He was always considerate about what I thought about the film and the story's presentation, but in the end, he's the director and he had to make decisions. All good ones.
I've never been in a situation where I had to run for my life, but I've been bitten by a lot of poisonous snakes where it was fairly painful. Pythons of size have a lot of teeth in that mouth, it's a painful bite and those wounds get infected fairly easily. I've got snake wounds from these animals that have lasted quite a while where it'll ache for several days. Having said that, I've been lucky; it's not like I'm looking for trouble with these animals either. It's not an envelope I'm willing to push.
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