A Quote by Niki Caro
The Maori culture is different than our culture where we're most likely to introduce ourselves by email or fax and we conduct a lot of business in an impersonal way, whereas for Maori, the only way to do it is to make the pilgrimage and sit down face-to-face and have some tea.
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I'm part Maori. My mum's Maori, and she raised me. And my grandma, she's Maori.
In Maori culture there's a lot of humor and just as quickly we are able to express grief.
I've never not felt Maori, ever. And because of the era I grew up in, I was never not seen as that. I would walk down the street with Mum and Dad and people would say, 'Look, there's a little Maori girl.'
I've been fascinated with Maori culture since I was a kid.
Distributed workforces are most likely to succeed if their culture is one that values and prioritizes face-to-face communications.
The film culture has no room for ideas. The literary culture has some room, but not less than they should, and the academic culture has a lot, but there's no way to communicate it in a wide way.
When I found out more about the Maori culture, I fell in love with it, and with the people, too.
I'm quite proud of growing up in New Zealand where, from quite early on in primary school, you're learning to count in Maori, Maori mythology and dances and colours and history, and I think that gives a child a really good grounding.
A film like 'Whale Rider' is equally truthful, perhaps more so, to the Maori experience; Maori people respond to 'Whale Rider' because it's a world that they understand.
Culture is everything. Culture is the way we dress, the way we carry our heads, the way we walk, the way we tie our ties - it is not only the fact of writing books or building houses.
I personally really sympathise with the Maori cause - what's gone on historically and their struggle today as a culture, and how they hold on to that identity and stand up for what's rightfully theirs.
A civilization is only a way of life. A culture is the way of making that way of life beautiful. So culture is your office here in America, and as no stream can rise higher than its source, so you can give no more or better to architecture than you are. So why not go to work on yourselves, to make yourselves, in quality, what you would have your buildings be?
The State has but one face for me: that of the police. To my eyes, all of the State's ministries have this single face, and I cannot imagine the ministry of culture other than as the police of culture, with its prefect and commissioners.
A beautiful woman in our culture, and I would like to say, you know, this was different in 1962, but it still exists today - I know a lot of these women -treats different in a different way; meaning that if you're a beautiful woman, you're incredibly powerful within our culture. The world operates differently for you. Then, at a moment in time, and it has nothing to do with you, it's like the carpet is just ripped out from under you, and the way that you've operated in the world no longer works.
I like to talk to people. I've got one assistant, one Blackberry. That's my overhead. I don't text that much or email. I like to sit down face-to-face and have a conversation with you. I'm old-fashioned.
I speak a lot about what I call "the trance of unworthiness" which is really epidemic in our culture, this sense of "I'm not enough," or "something's wrong with me." Most of us have some level of it because our culture has all these standards (handed down through our families) of what it means to be okay.
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