A Quote by Niki Caro

When I was starting out I was way too scared to ask real directors how to do it or ask for advice, I'm really kind of New Zealand like that. — © Niki Caro
When I was starting out I was way too scared to ask real directors how to do it or ask for advice, I'm really kind of New Zealand like that.
And most importantly, ask more from yourself! This is the real key. Ask what you can do to help. Ask what you have to offer. Ask what you can contribute. Ask how you can serve. Ask yourself how you can do more. Ask your spouse how you could be more helpful, loving or kind.
Obviously I ask my family and loved ones for advice here and there, but I kind of have a rule with the people I love that surround me - close family and close friends - that unless I ask for it, I don't really want advice thrown out.
I'm a little bit scared of everything. It's kind of funny. Whenever people ask me how I'm feeling, I'm like, 'I don't know. I'm scared. I'm nervous.'
Ask for what you want.Ask for help,ask for input,ask for advice and ideas- but be afraid to ask.
I didn't have a lot of men to ask questions of when I was starting out. There were two female directors people suggested I talk to when I was starting out, and they were Nancy Meyers and Kathryn Bigelow.
I'm not afraid to go up to people and pick their brains and ask for advice. To me, that's how you get better. That's how I've gotten better at everything I've ever done. Don't be too proud to ask for help.
My advice to you is not to undertake the spiritual path. It is too difficult, too long, and is too demanding. I suggest you ask for your money back, and go home. This is not a picnic. It is really going to ask everything of you. So, it is best not to begin. However, if you do begin, it is best to finish.
A lot of girls ask for advice on how to get into acting, and I'm kind of the worst person to ask, because it just kind of fell in my lap... I was just in the right place at the right time.
I've got a particular way of writing novels, and that carries over into the way I write comics and games, too. I'm a news journalist by background, so I approach everything as reporting - I treat it as real, I ask the questions I'd ask in a real situation, and I let the characters speak for themselves.
If I was ever to ask advice, it could be from any actor or showrunner or writer. I wouldn't necessarily ask an animate. I don't want to say that the wrong way, but animation's not really my world.
Orange County is a place where you can ask people if that's their real hair color; you can ask them if that diamond is real; you can ask if that car is a lease. But you cannot ask if someone is a Democrat.
Alejandro Amenabar is a different kind of director than I lot of the directors I've asked for. He really asks you to enter his dream as opposed to, you know, a guy like Sidney Lumet or something is going to ask you to create a character almost like a documentary. He wants you to make the people really real and he's going to capture it like a documentarian.
Never take advice from anyone in a tie. They'll bankrupt you. Don't ask a general for advice on war, and don't ask a broker for advice on money.
Ask not of me, love, what is love? Ask what is good of God above; Ask of the great sun what is light; Ask what is darkness of the night; Ask sin of what may be forgiven; Ask what is happiness of heaven; Ask what is folly of the crowd; Ask what is fashion of the shroud; Ask what is sweetness of thy kiss; Ask of thyself what beauty is.
I always feel like I learn more from directors that are new, and I also am able to understand how much I really do know about filmmaking when you work with directors that maybe don't have as much experience, so you're able to sort of take the reins. I know how to do these movies, I've done so many of them and have learned from new directors who are usually willing to try new things and are more open to allowing someone like me to kind of come in and just do what I know how to do.
It all changed when I realized I'm not the only one on the planet who's scared. Everyone else is, too. I started asking people, Are you scared, too? You bet your sweet life I am. Aha, so that's the way it is for you, too. We were all in the same boat. That's probably what is so effective at our workshops. When I ask, Who else feels like this? the whole room of hands goes up. People realize they are not the only one who feels that way.
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