A Quote by Niki Caro
I try to cast actors willing to believe in the world of the movie, who can make an emotional investment in the world we are creating.
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For me, to take a movie and travel the world and go and work with these cultures and an international cast and have this spy thriller that's not just about character but also action and suspense, they're very challenging films as a producer to make, creating stories, creating set pieces that serve this character [Ethan Hunt].
Films are a very tangible thing. It's making something with your hands. I think all of these guys - Roger and the whole cast of this movie - what they did was they were willing to make mistakes. They were willing to make movies that were really bad. But they learned.
Creating is really what I like to do. The best thing in the world is to have an idea in the back of your head and then to make that idea into a movie and have people all over the world enjoy it.
How often do we get to go to the biggest cinemas in the world and see diverse actors make up the majority of the cast?
I think that almost every scene was an exploration - it was never going to be just what’s on the page. So I know I was very lucky - we all were - to work with a cast of this caliber. These are extremely experienced and intelligent actors, who are also deeply emotional and - as you say - are also engaged in the world.
I think overall, making a movie is like putting a stamp on the world. Every time I make a movie, I feed in elements to make sure that it's my movie. I'm marking poles like a dog does. This is how I show my movies to the world.
One thing I wanted to say in my Tony speech, which I didn't because I forgot what I was doing because I couldn't believe the view from where I was standing, was that I really, truly believe in an investment in young people in the arts. It is an investment in a more beautiful world.
I think we all felt it on this movie - crew and cast. You never know when you're making a movie... no one is saying in the middle of Casablanca that this is going to be a classic. The lead actors had turned it down and I think they wound up with B-list actors at the time.
When I did 'Mimic,' it was such a difficult experience to try to make. Believe it or not, I did try to make a really adult giant bug movie. And then, in the course of the process, it kind of died a horrible death and gave birth to the movie that exists now, which now, in retrospect, I like. But it's not the movie I set out to do.
I just rely on the text to speak for itself and then speak it as I believe it to interpret it, and then just know that the rules of the world that we're creating allow for things to come to life, and then just trust in the process of making a film. Hopefully we'll make a sequel, because if we do, we had such a great time as an ensemble, I think the best thing to do would be to just take the whole cast back. This is Iain's idea and I agree with it. Just reincarnate all the characters and put them back into the world. There's no rules. Why couldn't we do that?
Writing a novel is a lot like directing a movie because you are creating a world and a tone, you are creating a large canvas and all the details.
No matter what world you're creating, whether it be a real world or a fantasy world, you still have to make the characters relatable or somewhat understandable.
Obviously, once you're finished, you're like, "Okay, I have to make this a movie now, and I need people - bodies to play these parts, and actors to bring this thing beyond a script." But when I was writing it, I wasn't thinking of actors; I was really thinking about creating three-dimensional characters.
What I want to tell you today is not to move into that world where you're alone with yourself and your mantra and your fitness program or whatever it is that you might use to try to control the world by closing it out. I want to tell you just to live in the mess. Throw yourself out into the convulsions of the world. I'm not telling you to make the world better, because I don't believe progress is necessarily part of the package. I'm telling you to live in it. Try and get it. Take chances, make your own work, take pride in it. Seize the moment.
It's a very different thing when you're creating the world as opposed to when you're just part of the world. I love the detail of it, the problem-solving of it, and I love working with actors.
Still, what I want in my life is to be willing to be dazzled-to cast aside the weight of facts and maybe even to float a little above this difficult world. I want to believe I am looking into the white fire of a great mystery. I want to believe that the imperfections are nothing-that the light is everything-that it is more than the sum of each flawed blossom rising and fading. And I do.
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