A Quote by Niki Caro

As a kid I was always barefoot, always outside and as an adult I always want to be outside. — © Niki Caro
As a kid I was always barefoot, always outside and as an adult I always want to be outside.
You're working with adults and you're being paid to do a job. And you're a kid. Then you go back to high school, and everybody's partying, and they're doing math. I always felt a little bit outside of it. Outside of both experiences, really.
As gay people, we always think outside of the box. The irreverent is always important to a drag queen and anyone else who lives outside the box. And this is why drag's important: remember to not take life seriously. It's always important to see the laughter in the illusion that we pretend is real.
The older I get, the younger I feel. Growing up, I was always the kid, but I spoke like an adult and was in adult roles. I didn't feel like a kid. The older I get, I actually feel younger! Which is good. I always thought when you get older, you'll want to slow down, but I want to do even more.
I always wanted to get better, I always wanted to be the best, and I knew from a young age, so I kept putting in the hard work and kept training around the outside courts outside my house and it paid off.
How many understand that Nature is the essential character of whatever is. It's something you'll find by looking not at, but in, always in. It's always inside the thing, and it makes the outside. And some day, when you get sufficiently proficient in understanding the use of the term, you can tell by the outside pretty much from what's inside.
I've always been a big guy, whether it's been a fat kid, a fat young adult, or a fat adult. I was always sort of... I guess the term would be 'popular.' I never dealt with a lot of name-calling or any of the bullying you'd think a fat kid might have to deal with.
I was always the new kid, and I got to know the language and the politics of being on the outside, looking in. Never being in the clique - always being a student of the clique, a subversive, and I could look around and identify the other guys who were excluded.
I suppose my dream was always about existing outside of London. Obviously the film world 10 years ago, when I first kicked off, was a very different landscape. Meeting anyone for a job on the crew, and on the cast, always meant a trip to London for me. But it's changed quite dramatically. You can't completely exist outside of what's down there, but things have changed massively.
I grew up as a step-kid, always a little outside, always trying hard to follow and fit in. But over time, I've come to feel that my tendency toward self-erasure is a deep and real part of me. I think I'd be this way no matter how I grew up.
I think people always want candy, whether you're a kid or an adult.
What we think about, what we concentrate on, will always, always, be reflected on the outside.
I always remember my childhood as traumatic, for various reasons; I always felt alienated, outside.
I've always had my own opinions and have always been somebody who thinks outside the box.
I do know that I have always been one of life's observers, always standing slightly on the outside, watching.
As long as the mind is unsubdued, there is always outside harm. Once the mind is subdued, once there is no anger in the mental continuum, there is no outside enemy. An outside enemy exists only if there is anger inside.
The house is always full, and we're always cooking - outside, inside, for six, eight, a dozen, 20 people.
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