A Quote by Niki Caro
I really value the skill and sensitivity of my collaborators, and I am really interested in - perhaps more so than if I was a male director - the hair, makeup and the textures of the fabric and the wallpaper.
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If a director is really a director, I think he's interested in more than one thing.
People value makeup differently. Some people see makeup as an artistic expression, some people use makeup as a boost of confidence. I just think makeup is so beautiful and that it really is art. That's why I do makeup.
Looking back at old-school pictures, I never had a hair or makeup person. I wasn't required to wear a lot of hair and makeup. I was never really allowed to do that because it was the image.
I am not interested in simply working as a director. If I am not making movies that I want to make, that I feel passionate about, or that I feel are hopefully at the level of cinematic quality that I feel they should be then I am not really that interested.
I'm obsessed with textures. We're surrounded by so much vinyl that I find myself constantly in pursuit of other textures. One time I removed all the hair from a mouse with Nair-Hair just to see what it looked like. And it looked beautiful.
When I'm not working, I'm really, really low key. I don't wear makeup unless I have to; I don't get my hair done unless I really need to.
I've definitely become more aware and conscious of what directors I'm working with because it's so important. The director is really more than half the battle of the film. You really rely on that. That's become really, really important to me, for sure.
When I have really blonde hair, I usually go for a more natural look, wearing way less makeup.
To be honest with you, my mom never really wore makeup when I was growing up. She wasn't really my makeup muse. It was my grandma. The biggest thing that she taught me is that it doesn't matter how your makeup comes out, it's really just how you wear it. If you carry it like you killed your makeup, then that's all that matters.
I'm interested in learning more about myself and what I value in myself and letting that be the beautiful part of me, rather than putting on the makeup or wearing the right designer.
I'm not really into makeup, not really into fuffing with hair and stuff.
I realize that Facebook today is a global success with more than 600 million users worldwide. But I also understand, maybe a bit sadly, that it is not for me. Perhaps it is because I am a bit too old? Or perhaps it is because I am more interested in exploring the epic text, which I have lived with for all my life.
I've put on makeup just for fun since I was a really little girl. Now I keep a look book for inspiration - with hair, makeup, beauty tips and products to try.
Being blonde is definitely a different state of mind. I can't really put my finger on it, but the artifice of being blonde has some incredible sort of sexual connotation. Men really respond to it. I love blonde hair but it really does something different to you. I feel more grounded when I have dark hair, and I feel more ethereal when I have light hair. It's unexplainable. I also feel more Italian when my hair is dark.
For dance recitals, my mom would do my makeup all extravagant because obviously I was really little and where else would I be wearing makeup? We would always be in her bathroom before the dance recital, and she'd do our hair and makeup.
For me, in my normal life, I'm very all-or-nothing. I'm super comfortable dressed to the nines - full hair and makeup. I love feeling really done up. And I love feeling undone. I love sweatpants and my hair in a topknot. I go with no makeup. Or I have a full look.
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