A Quote by Nina Agdal
If I had a shoot the next day, I would definitely try to cut down on the salt because that's really bad for bloating, and you want to look fresh.
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I'm not going to do anything out my way to try to get somebody to watch me because I want to act a buffoon. I want to build a character that I want my kids to look up to. It's OK to be the bad guy when it's time to be the bad guy, but to live and be the bad guy all day, every day? It's like, 'No, come on, man, you're making us look bad.'
When I get a really bad bout of painful bloating and that urgency that I need to go to the toilet, and I'm out on a night out with my friends, there's been times when I've had to leave and go back. Because there's no way I want to be in that situation where I'm in a club and really unwell.
I look at old performers like James Brown: back in the day when you actually had to work hard to get poppin'. I look at all those types of performers. Even like Kid n' Play and the Fresh Prince and Jazzy Jeff and Salt-N-Pepa. That era where they had to perform. You couldn't just rap. It had to be an entire performance.
When I was a kid, my idea of heaven on a hot summer day was fresh cut-up watermelon, Breakstone's cottage cheese, and a sprinkle of salt.
I tend to shoot really quick so you don't get the problems you might get on a traditional film where you shoot one way, then another, and it's pissing down with rain and they won't cut together. We shoot so fast we can incorporate the weather into it. The worst weather we had was when they were in the caravan up the mountain and there was no cover. One man's weather is another man's production value. To create the sleet would cost a fortune but we got it for free so we'll just have to go with it.
All you can do is really the prep work and make sure you're ready to hit each golf shot. Outside of that, you're not sure really what's going to happen. It's a funny game, but I think that's why I love it. You never know, one day to the next; you could go shoot 62, and the next day you're going to shoot 78, and you can't predict it.
Some days I want to look like a hipster kid, and then other days I want to be prim and proper. I really wish I had, like, seven lives so I could go from being a hipster one day to a punk the next. But that's the great thing about fashion. In a way, it's like acting, because you can try on all these different roles.
All the criticism and all of the praise, it doesn't - it's not worth the salt that goes on my bread, because TV is fickle. You can be loved one day and hated the next day. One day, you're getting an award. And the next day, you're getting a death threat.
I got my dailies every day, although I couldn't always look at them because I was usually preparing for the next day's shoot, both as an actress and as the director.
I remember at The Quilted Giraffe, when I was when working there to try out for the sous-chef position. I really wanted it, and the woman working the line next to me kept messing up and making me look bad. The last day of my kitchen trail, I just said to her very quietly, 'Do me a favor and get out of my way, because I want this job.'
I had a bowl cut. That was pretty bad. Definitely a bowl cut. And I used to have blond, like really, really, blond hair when I was a kid. So blond bowl cut - that's what I was rocking when I was a little kid.
Even that was all consumed after two days, and the patients had to try to choke down fresh fish, just boiled in water, without salt, pepper or butter; mutton, beef, and potatoes without the faintest seasoning.
Even that was all consumed after two days, and the patients had to try to choke down fresh fish, just boiled in water, without salt, pepper or butter; mutton, beef, and potatoes without the faintest seasoning
When you shoot a film, when it was film, there used to be rushes and normally a director would look at them the next day. All directors look at the rushes, except for Fellini. I asked him why he didn't and said, "Because it interrupts my fantasy." What he was trying to say was that he had a three-dimensional, vibrant, living, volatile fantasy going on in his head, and when he looked at rushes, they were two-dimensional and they killed it.
I've always felt like if I had a bad practice, I could potentially get cut the next day.
To stop smoking was actually really easy because I had already started to cut down. My husband is asthmatic, and he just can't for the life of him imagine why anybody would put smoke in their mouth, so he really helped me to start cutting down.
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