A Quote by Nina Agdal
My ideal Friday and Saturday evening would be... Friday to go out and have dinner with my girlfriends. Saturday night, I would stay in. I would have somebody cook for me out there because I do not cook very well.
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If I were to just focus on stand-up, I could actually, paradoxically enough, be home way more, because I would leave on a Friday, go do a couple theaters Friday, Saturday, maybe Sunday, come home.
My mother doesn't cook; my grandmother didn't cook. Her kids were raised by servants. They would joke about Sunday night dinner. It was the only night she would cook, and apparently it was just horrendous, like scrambled eggs and Campbell's soup.
I wanted to be the next Dana Carvey. This was my ultimate goal. If I ever cut into a birthday cake and made a wish, I would wish to be on 'Saturday Night Live.' If I threw a coin into a fountain, I would wish to be on 'Saturday Night Live.' If I saw a shooting star, I would wish to be on 'Saturday Night Live.'
Never retire! Do what you do and keep doing it. But don't do it on Friday. Take Friday off. Friday, Saturday, and Sunday, go fishing...Then Monday to Thursday, do what you've been doing all your life. My point is: Live full and don't retreat.
It really hurt my heart because 'WWE Fastlane' was in Cleveland, Ohio and I was on the road shows on Friday and Saturday, and then Cleveland was my hometown and we had 'Fastlane' there and I looked on my travel app and it said: Friday booked, Saturday booked and then Sunday not booked and I was like, you have got to be kidding me?
I don't cook - I can cook - but I'm not very good. I like being asked over for dinner, because she can't cook either. We would starve if it weren't for modern technology. I know how to work a microwave, but love home cooked meals.
Every time I see Trump on TV these days, I'm waiting for him to burst out, 'Live from New York, it's Saturday Night!' That would make sense to me - that this has all been one long 'Saturday Night Live' sketch.
We worked six days a week [on the The Breakfast Club], so you have one day off. So on that Saturday night, it's not like we could all go out and have a drink because Molly [Ringwald ] and Michael [Hall] weren't old enough. And Ally [Sheedy] pretty much kept to herself. So Emilio and I, every Saturday night, would go into Chicago because we were shooting outside of Chicago in Des Plaines. It's so funny, because even though we might be adversaries in the film, we certainly weren't off-camera. He's a very funny guy.
You got paid on Friday, go for a late-night poker game, and have no money on Saturday. But the RSC took your rent out of the paycheck, so at least you had a place to sleep.
My aunt had a season ticket for the Friday afternoon concerts, and I would go down for lessons. My lessons were Saturday morning.
You practice Monday through Friday in college, or Monday through Saturday in the pro's - and then you just go out and knock somebody's head off.
When I was first approached for 'Pass the Plate,' I was thrilled because I love to cook. And I love to cook healthy. The reason I started cooking was because I would go to restaurants and have just amazing food but feel so heavy and gross. I would go home and try to cook the same thing, but a healthy version.
The perfect party for me is having six to 12 people for dinner Friday or Saturday - good, fun friends, a lot of artists. I have a beautiful deck that looks over the canyon and Los Angeles on one side, so it's very pretty at night. It's a great opportunity to catch up with friends.
A lot of my friends, when I was 14 or 15, they were all up and down, wanting to go out on a Friday night, and my dad had me working really late on Fridays and Saturday mornings and even on Sunday mornings. And when I'd finished all that, we used to spend the rest of the time talking about boxing.
I used to have a group called Bad-Movie Saturday. Every Saturday, six of us would go see the worst movie that came out each weekend. It'd be noon in Burbank. It was just a running commentary. All executives - we would each talk through the movie and make jokes.
I write for a radio show that, no matter what, will go on the air Saturday at five o'clock central time. You learn to write toward that deadline, to let the adrenaline pick you up on Friday morning and carry you through, to cook up a monologue about Lake Wobegon and get to the theater on time.
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