A Quote by Nina Jacobson

I felt that with each movie, Gary [Ross] adopts a different style. He doesn't have one look that's the Gary Ross look, and I thought that was important. — © Nina Jacobson
I felt that with each movie, Gary [Ross] adopts a different style. He doesn't have one look that's the Gary Ross look, and I thought that was important.
In the evolution of the [The Hunger Games] movie, Gary [Ross] and I talked a lot about tonal bandwidth and making sure that the look and feel and style and choices of the movie stayed within a certain consistent bandwidth.
Gary Ross is amazing. He's just - he always has a billion ideas of what he wants, but has a very clear perspective also; he just makes it work. He really does. He's trying different things and making everything look amazing.
Gary Ross is amazing.
It was very important to me to choose a director like Gary [Ross], whose instincts come from character, who's a storyteller, and who puts characters first.
I feel like the books were just written like a movie. You read it and you can just kind of see everything. Before I went in to read with the director, I read the first book and I loved it. I didn't realize how good the writing was. And then I went in and read with Gary Ross, and that was it.
Gary Ross is a really awesome director. He envisioned everything in The Hunger Games perfectly, exactly how I imagined it, which is perfect to work on because it just makes everything fall into place when you're working.
Director Gary Ross has created an adaptation that is faithful in both narrative and theme, but he's also brought a rich and powerful vision of Panem, its brutality and excesses, to the film as well. His world building's fantastic, whether it be the Seam or the Capitol.
Since signing with Universal, I have been working closely with Gary Ross, the director, producer and screenwriter. We have spent many hours on the phone, and I've been sending him information and items that have been useful to the writing process.
I know with Gary Ross especially, he kind of gave me pointers here and there, but he kind of let me become firm in any way that I needed, and he just let me try things and to explore what I can do with my acting. So that was very helpful.
Something that is funny, that I use sometimes if I'm doing comedy, is the fact that I'm now often mistaken for the rapper Rick Ross. And I don't know that I've ever corrected anyone - like I've never said, 'No no, I'm not Rick Ross, I'm Black Thought from The Roots.'
How would you feel about sharing your bed?" she asked. Tristan blinked. "Excuse me?" "He'd love to!" Gary said. Tristan shot him a look, "Good," said Ivy, failing to notice Gary's wink. "Ella can be a pillow hog, but all you have to do is roll over her.
A Mexican guy named Sam pushes Gary Frankel next to Isabel. "This guy can break your arm with one snap, asshole. Get out of my sight before I sic him on you," Sam says. Gary, who's wearing a coral shirt and white pants, growls to look tough. It doesn't work.
My earliest influence was Quincy Jones. I thought 'The Wiz' soundtrack was the most amazing thing I'd ever heard. It was my first record and you had Michael Jackson, Ted Ross, Nipsey Russell and Diana Ross on it. I even took it to show and tell in third grade!
Ross Perot came and visited Apple several times and visited the Macintosh factory. Ross was a systems thinker.
Ross Hunter was my assistant on Take Me to Town, He was a young man, an actor before that, and learned a lot on the picture. During shooting, Goldstein left, and Ross was most pleasant. He never interfered.
The first time I ever cast a vote in my 1992 Blessed Sacrament School poll, I voted for Ross Perot because - Ross Perot.
This site uses cookies to ensure you get the best experience. More info...
Got it!