A Quote by Nina Jacobson
The hiring of Phil Messina, the production designer, was a big decision. He's so gifted, and his ideas were always so smart and rooted in American history and architecture. Nothing feels like it's not us, or couldn't be us, and I think that's very important.
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The key for us, number one, has always been hiring very smart people.
From my first days studying architecture at the architectural association, I have always been interested in the concept of fragmentation and with ideas of abstraction and explosion, where we were de-constructing ideas of repetitiveness and mass production.
I'm into hiring smart guys; I'm into hiring guys who can think at a higher level, that can offer ideas.
Donald Trump, yes, he's somebody's little boy. But he is his ideas because his ideas are what's going to affect us. As a man, he can do very little. But his ideas could kill us all.
When the Spirit of God comes into us, He wants to be Himself in us. He wants His energy to be poured through us. He wants His wisdom to be deposited in our hearts. He wants His instinct and nature to be evident and obvious in you.He wants us to see what He is looking at, to feel what He feels, to know what He knows, to work with His projects, see life the way He sees it, get His ideas and know His opinion about yourself and others.
Andrew Preston and I moved to Florida, to get some air. Am I going to live there forever? No, I'm not. But I have a warehouse, all white, concrete floors, a big, big space with very high ceilings and nothing inside. And that's where I go to work, and I like that because I just like to be alone and quiet. Is it explainable as a typical fashion designer? No. But am I a typical fashion designer? I don't think so.
The Middle East would always be an important trading partner in just a market sense, like America is a big market for us, Asia is a big market, Europe is a big market. You are going to have hundreds of millions of consumers there, from just a standard market point of view, from a very narrow American point of view.
I think Mr. Cosby has always been very much an activist and a big proponent of African-American pride. That's how 'The Cosby Show' came about. I think in his older years, he has gotten a lot more direct and vocal about it. But I think he only wants the best for all of us.
We were always thinking big, dreaming big - no project was too big for us to tackle, and that comes from how we were raised. Our parents actually said to us, 'If somebody says you can't do something, find five ways to do it.'
A lot of people write and tell us what The B-52s meant to them - straight, straight-A students, those who were a little awkward, weren't always the ones who fit in. People have told us that just having us and our music was beyond important and really made me feel that what we were doing was worth something big.
Once you know what you want and what is important for you to achieve, also define the values associated with it. What is important? That is something a lot of entrepreneurs pass by too quickly. For us, the things that were important were, No. 1, customer success. Nothing is more important to us than making sure every customer is successful in our service.
People sometimes get ideas about us that are not of our creation. Journalists, for instance, have always wanted us to be something we're not. They've said that we have a big student fan-base, but that's simply not true. We have loads of older fans as well. Increasingly, ladies in their mid-fifties seem to like us.
For us, it wasn't important to have a big house, a few cars, always have the newest clothes. Solidarity as a family was important. We were there for each other and always will be.
Ronald Reagan rebuilt the American presidency; it was in trouble when he came into office as an institution, and he did through his communications and through his own inspiration, and his principles. I think he did lift our spirits about, and convince us that once again that the future of the best, our best days were always ahead of us.
When Phil and I started out, everyone hated rock n' roll. The record companies didn't like it at all - felt it was an unnecessary evil. And the press: interviewers were always older than us, and they let you know they didn't like your music, they were just doing the interview because it was their job.
It [Hancock] happens to be a big budget film and big star like Will Smith, but it actually has a lot of weight to it. But it was very smart and very intelligent and had this kind of historical element to it that I was fascinated by. It's not silly. It's not stupid. It's fun, but I think it's smart. I think Akiva [Goldsman] writes really interesting material and there you have it.
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