A Quote by Nina Menkes

I was never trying to be experimental or anti-anything; I was always trying to be real to things I was feeling. — © Nina Menkes
I was never trying to be experimental or anti-anything; I was always trying to be real to things I was feeling.
If you're real, you've never got anything to hide away from. You're not trying to fake anything, you're not trying to have this other persona - you're just yourself. And if I could be myself for as long as possible, I will.
You never know with these things when you're trying something new what can happen. This is all experimental.
I'm the least-experimental writer. The idea of trying things just for the sake of pushing the envelope, that's never really interested me.
I think it's because I'm real. Inside and outside of the ring, what you see is what you get. I'm CM Punk. I'm not trying to be something I'm not. I'm not trying to lie to the people or be fake. I'm not trying to be some crazy, outlandish character. I'm real and they appreciate that. Everything I say, it comes from the heart. It's all real.
The anti-hero or hero usually has a journey or quest so they are interesting as you find out what's going to happen, what they are looking for. What are they trying to do? Sometimes what they do is heroic or comes with a price or sacrifice or maybe the way they do things isn't so great and that's when they become anti-heroes. But the journey of an anti-hero combined with a good story done well is always worthwhile.
We think we need to create ourselves, always doing a paste-up job on our personalities. That is because we're trying to be special rather than real. We're pathetically trying to conform with all the other people trying to do the same.
I am trying to intensify my feeling for the organic rhythm in all things, trying to establish a pantheistic contact with the tremor and flow of blood in nature, in animals, in the air - trying to make it all into a picture, with new movements and with colours that reduce our old easel paintings to absurdity.
I never sit and fill a journal with lyrics. Most of the time I'm trying to write a feeling, not a story. I'm not necessarily trying to describe the details of a place or event so much as the feeling of the thing. It is a kind of weird alchemy that is elusive until it feels right.
I was just trying to make it to a second contract before guys. I was trying to outplay guys on the field and trying to last longer than them in the league. I think all of those things go through your head when you're a late-rounder, and you're always trying to prove people wrong.
I've always hated the feeling of trying to be cool or trying to fit in.
I think I'm still trying to be experimental on everything I ever do, but it's not as obviously way-out and experimental as what we were.
I'm always going to be a student. I'm always learning. I'm always trying to grow. I'm always trying to understand. I never want to feel like I've arrived.
When I'm writing, I'm never trying to teach anything - maybe I'm trying to illuminate.
So often, I read scripts and am like, 'This would never happen in real life. It's not trying to be funny. It's trying to be serious.
So often, I read scripts and am like, 'This would never happen in real life. It's not trying to be funny. It's trying to be serious.'
I've come close to matching the feeling of that night in 1944 in music, when I first heard Diz and Bird, but I've never got there. . . . I'm always looking for it, listening and feeling for it, though, trying to always feel it in and through the music I play everyday.
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