A Quote by Nina Tassler
Rob Doherty has been a real superstar for us The Mentalist for years. He is an extremely talented writer, and he just tapped into the DNA of this character in a way that we'd not heard before. So, from the moment it walked in the door, and then we read the script, it was a definite player for us.
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Rob Doherty has been a real superstar for us on 'The Mentalist' for years.
When the lab rats hear the bell ringing, they freeze. That's what fear does to you - fear stops you dead in your tracks. Fear can keep you from harm, but fear can also rob you of your potential. Fear can rob you of an experience. Fear can rob you of happiness. Fear can rob you of real life... Darkness has a way of scaring us.
There's somewhat of a real fascination with American bands and American mythology in London, so I think we've tapped into some of that. Maybe because of the way the press works or whatever, they have extremely knowledgeable music fans over there. People who will sit there and talk to you about some record that came out in 1967 out of Memphis that you've never heard before.
A person of definite character and purpose who comprehends our way of thought is sure to exert power over us. He cannot altogether be resisted; because, if he understands us, he can make us understand him, through the word, the look, or other symbol.
When we went to Judas Priest backstage, Mr. Rob Halford told us that they were waiting to see us. We've met Mr. Kirk Hammett of Metallica several times, and he is extremely kind to us. No one gives us mean looks, and we are so happy that Babymetal is welcomed warmly.
When I first heard about Beverly Hills Chihuahua, I thought, no. This, this is ridiculous. And then you read the script and you close the script and you go, "They aren't going to be able to do that with real dogs. How are they going to do that?" You're going to see the strings. But they did.
You just knew you were in great hands with somebody so talented, so bright and with such depth. We both [with Ellen Page] loved the script and the book [Into the Forest], which I read after I read the script, and highlighted it and dog-eared it to craziness.
What we read and why we do so defines us in a profound way. You are what you read, I suppose. Browsing through someone’s library is like peeking into their DNA.
And sometimes, when the stars are kind, we read with an intake of breath, with a shudder, as if someone or something had 'walked over our grave,' as if a memory had suddenly been rescued from a place deep within us - the recognition of something we never knew was there, or of something we vaguely felt as a flicker or a shadow, whose ghostly form rises and passes back into us before we can see what it is, leaving us older and wiser.
I always believe that Kar-Wai has a complete script: he just doesn't show it to us. He wants us to experience and explore the character. He gives you a lot of space, and you know every time will be a very long journey. You just live in the character, and that's very different from other directors.
Then, I realized that there is an indigenous presence in the Solar System. It's us. So, then, I got to wondering what would happen if a more technologically advanced society moved next door to us, the way we moved next door to the American Indians.
A lot of actors choose parts by the scripts, but I don't trust reading the scripts that much. I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there's a movie. It's very evocative; it's like a first cut because you hear 'She walked to the door,' and you visualize all these things. 'She opens the door' . . . because you read the stage directions, too.
The time I heard the script for Hathiram's character in 'Paatal Lok,' I was sure it is one of the best characters that I had ever been offered. I am extremely overwhelmed with the kind of responses that I am getting for the performance.
I once heard somebody say that God had closed a door on an opportunity they had hoped for. But I've always wondered if when we want to do something that we know is right and good, God places that desire deep in our hearts because He wants it for us and it honors Him. Maybe there are times when we think a door has been closed and, instead of misinterpreting the circumstances, God wants us to kick it down. Or perhaps just sit outside of it long enough until somebody tells us we can come in.
[Keenan] 'What am I going to do?' He sank to the floor. [Donia] 'Hope that some of us are kinder to you than you've been to us,' she whispered. Then, before she could soften again, she walked away and left the Summer King kneeling in her foyer.
It just so happened that my agent called and said, 'There's this movie 'Pitch Perfect.' Here are the sides.' I think I originally read for Bumper, because Donald didn't have much in the script, so I read all Bumper's lines. I beatboxed for them, because that's what my character was supposed to do. And then I was like, 'By the way, I rap.'
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