A Quote by Nina Tassler

When it comes down to, it's not about the form, it's about the content. — © Nina Tassler
When it comes down to, it's not about the form, it's about the content.
Good design is not about form following function. It is function with cultural content. By adding "cultural content" to the concept of "form follows function," objects cease to be finite or predictable. Maybe the right way to interpret the dictum is to first acknowledge that the function needs to be clearly understood before the form is considered.
The work really isn't about the specific content to me. As I'm putting things together, it's more about consistencies in form.
Part of keeping space open is not to try to choose a form - to spend more time thinking about content, and let form take care of itself.
I think an artist has the potential to investigate both form and content within one activity, to show that there can be coherence between form and values in our society, as in thinking about a city and building one.
Questions about form seem as hopelessly inadequate as questions about content.
The documentary photographer aims his camera at the real world to record truthfulness. At the same time, he must strive for form, to devise effective ways of organizing and using the material. For content and form are interrelated. The problems presented by content and form must be so developed that the result is fundimentally [sic] true to the realities of life as we know it. The chief problem is to find a form that adequately represents the reality.
I think we should be worried about the fact that we have become, as a society, very focused on the way people look, the way they dress. I do think we should worry about that because we should be worried about content. We should be worried about ideas. We should not be putting form over function.
Content films necessary don't go by the content, they go by the emotions. Content films are about content whether you want to portray the content or sell it through humour, through seriousness, is a choice of the filmmaker.
To me, form is not something that you can plan beforehand, especially for a documentary. You can't write it or sketch it. It requires a confrontation with reality, with history, with ethics and morals. After identifying good content, you have to find the right form to express that content.
Digital platforms are worthless without content. They're shiny sacks with bells and whistles, but without content, they're empty sacks. It is not about pixels versus print. It is not about how you're reading. It is about what you're reading.
I didn't want my parents to know about 4chan at first because of the adult content. By the time I was 18 and could talk about it, the site had become notorious for its exploits and the adult content on there.
Content arises out of certain considerations about form, material, context-and that when that subject matter is sufficiently far away.
People always talk about the content, in terms of the politics of it or whatever social issues are in it, and it's like, "Yeah, but I'm also a good comic." You could at least talk about the form of it, and I feel like that's always the thing that's missed.
That's just the way people's brains work. If you want to talk about something, you have to reduce it to a form that can be understood. That's one of the reasons I'm not good about boiling down music.
We have a generation of kids who may never see a bookshelf or never see books in houses. What are they going to think about books? How will books become meaningful in their lives except as yet another form of digitalized content? A book is not just digitalized content.
The thing is, with writing, it's form or content. You need to write about something interesting or you need to write about it in an interesting way.
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