A Quote by Nina Tassler

I was always fascinated by the Torah, the Bible, in terms of story telling: heroes and villains, morality and flaws. There's no better epic. Also, being part Latin and Jewish means I have a sense of the theatrical. There were always a lot of people in my house. My home was always filled with a lot of storytellers.
I'm always interested in getting to know people, and that means vilified people as much as those celebrated. You find out that heroes aren't always so heroic, and villains have some bit of humanity in them.
Fiction always reveals a lot about the person who is writing it. That's the scary thing. Not in a straightforward autobiographical sense. But the flaws in a piece of fiction are, unhappily, so often also the flaws of the writer.
I'm saying to be a hero is means you step across the line and are willing to make a sacrifice, so heroes always are making a sacrifice. Heroes always take a risk. Heroes always deviant. Heroes always doing something that most people don't and we want to change - I want to democratise heroism to say any of us can be a hero.
I'm saying to be a hero it means you step accross the line and are willing to make a sacrifice, so heroes always are making a sacrifice. Heroes always take a risk. Heroes always deviant. Heroes always doing something that most people don't and we want to change - I want to democratise heroism to say any of us can be a hero.
I'm not a historian, and I wouldn't want to be. I want to change the world. Attack the elite. Overturn the hierarchy. Look at my stories and you'll notice that the villains are always, always, those in power. The heroes are the little people. I hate the establishment. Always have, always will.
I'm the child of immigrants, and there was always a garage filled with food, just in case, and you kept money under the mattress. You were always prepared, because you couldn't trust that you were being taken care of. So that translated into my life into a lot of opportunity hoarding.
My parents were working class folks. My dad was a bartender for most of his life, my mom was a maid and a cashier and a stock clerk at WalMart. We were not people of financial means in terms of significant financial means. I always told them, 'I didn't always have what I wanted. I always had what I needed.' My parents always provided that.
My father was a studio musician, played for a lot of people like Frank Zappa and a lot of R&B bands, and was always gone doing that. Then when he was home, he was practicing. And so I always saw it, and I always wanted to do what he did.
My models were oral, were storytellers. Like my grandmothers and my aunts. It's true, a lot of people in my life were not literate in a formal sense, but they were storytellers. So I had this experience of just watching somebody spin a tale off the top of her head. I loved that.
I've played a lot of villains, and I always feel slightly upset when people say, 'You were so bad!'
Because I'm always away, coming home to a clean house means a lot to me. Trust me, I've lived with a lot of roommates, and straight guys are just kids who don't pick up after themselves.
I didn't grow up in a house - we moved a lot, and we always lived in apartments. But we looked a lot; we went to open houses almost every weekend. I think that's why I always wanted a house.
I was always interested in acting, but in my high school sports was the cool thing to be part of, and I was still very into being cool. So I played a lot of basketball and football. But I always had that want to be in theater and to be a part of theater arts. But in my school, it was just a really nerdy thing to be a part of. Everyone in my school wore bowler hats - they were always on, always acting, and all so big. I was like, "I can't be that", even though I wanted to be.
I think that villains who are just brawn, muscles and weapons are boring. So I always try to find intelligence in my villains and also a sense of humor whenever that is possible.
I've played a lot of villains. The villains are always fun because you can just go fractionally bigger than life. It's always a grey area because you don't want to end up mustache-twirling and making them a little false, but you always get to play a little more, whereas the lead guy has to be a little more straight.
I just always liked the company. The people who hung around her were amazing storytellers, whether it was actors or crew. They were just exciting people. And I knew that they were different when I would go see a friend or stay at someone else's house. It just wasn't as cool. So I always loved the theater, and that's where I started: at a theater up in Canada.
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