A Quote by Nina Tassler

'The Dovekeepers' is a compelling, beautifully written novel that combines history and fiction into a timeless story of survival and heroism. — © Nina Tassler
'The Dovekeepers' is a compelling, beautifully written novel that combines history and fiction into a timeless story of survival and heroism.
'The Dovekeepers' is a fantastic novel written by Alice Hoffman; it was a bestselling novel, and I fell in love with the book and bought the rights to it.
Cormoran Strike is an amazing creation and I can't wait for his next outing. Strike is so instantly compelling that it's hard to believe this is a debut novel. I hope there are plenty more Cormoran Strike adventures to come. A beautifully written debut novel introducing one of the most unique and compelling detectives I've come across in years.
Great fiction has been written out of the very darkest circumstances of our narco violence, and nothing written in either fiction or nonfiction has penetrated that darkness so memorably - you can even say beautifully, a relentless riveting forensic dark beauty that some readers in fact find themselves unable to endure - as Roberto Bolaño's 2666. Especially in "The Part about the Crimes." But here's the thing: nobody would call 2666 a "narco novel."
So much history, if you or I were to write it, could seem a fiction. These separations, these lines that tell us this is fiction or non-fiction, that this is history or this is a novel, are often useless.
Every once in awhile you find a novel so magical that there is no escaping its spell. The Night Circus is one of these rarities - engrossing, beautifully written and utterly enchanting. If you choose to read just one novel this year, this is it
A compelling and important story of First Word War Scotland, a time when women redefined the word hope as the world was losing its innocence. Andrea MacPherson writes beautifully, balancing the lives of her characters between history and the poetry of gesture, secrets and love.
Most travel disasters turn into something else: a story of survival, a story of bravery, of heroism, sometimes villainy. You just don't know when it starts where it's going to go because they are unexpected events.
Guy Gavriel Kay's 'Tigana' is, in my opinion, one of the best, if not the best fantasy novel ever written. It's beautifully written, the characters are unforgettable, the worldbuilding is exquisite.
Guy Gavriel Kays Tigana is, in my opinion, one of the best, if not the best fantasy novel ever written. Its beautifully written, the characters are unforgettable, the worldbuilding is exquisite.
A romance novel is more than just a story in which two people fall in love. It's a very specific form of genre fiction. Not every story with a horse and a ranch in it is a Western; not every story with a murder in it is a mystery; and not every book that includes a love story can be classified as a romance novel.
The Bible, I've said it before, is a beautifully written work of fiction.
Exhaustively researched and beautifully written, Cronkite is a classic. Douglas Brinkley has written his best book yet. This is a fascinating story that will be read for years to come.
Nicole Baart has written a novel that satisfies on every level. Sleeping In Eden is a compelling mystery, a tragic love story, a perceptive consideration of the callous whim of circumstance and, perhaps most important, a beautiful piece of prose. I guarantee this is a book that will haunt you long after you've turned the last page.
I love writing in compressed time periods because the act of survival in the midst of panic and fear, that's where true heroism comes. If you have a uniform, and you're expected to do things, it's a sort of incremental heroism.
Once you step inside, history has to be rewritten to include you. A fiction develops a story that weaves you into the social fabric, giving you roots and a local identity. You are assimilated, and in erasing your differences and making you one of their own, the community can maintain belief in its wholeness and purity. After two or three generations, nobody remembers the story is fiction. It has become fact. And this is how history is made.
I don't concentrate on any one period of history; I like to locate my stories in wildly different eras and places. I seem to be drawn to large, sprawling, uncomfortable swaths of American history, finding embedded within them a tight narrative that involves strife, heroism, and survival under difficult circumstances.
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