A Quote by Nita Strauss
The first riff that I totally mastered was 'Come As You Are' by Nirvana. I remember sitting there, plunking along, I remember thinking 'How do they even do this?'
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I don't remember how we happened to meet each other. I don't remember who got along with whom first. All I can remember is all of us together.always.
The heart of most spiritual practices is simply this: Remember who you are. Remember what you love. Remember what is sacred. Remember what is true. Remember that you will die and that this day is a gift. Remember how you wish to live.
I suppose ever since I was about 14, I remember listening to "Sgt. Pepper's," and I remember thinking, "how do you possibly write songs like that?" I remember starting to try and write songs around that age, but just sitting around with an acoustic guitar, and try to come up with ideas for songs, and that's just what I've done ever since. I just never really stopped doing that, I suppose.
I remember, I used to get off a bus, and if there was someone sitting in the station, I remember thinking maybe they were from Shin Bet and came for me.
I remember one day during my freshman year of high school, when as usual I was obsessively listening to a cast recording: it may have been 'Jesus Christ Superstar.' And I remember sitting there, totally absorbed, saying to myself, 'I can do this.'
The first set I remember was 'Ghostbusters.' It was a scene in which the street erupted. I remember even at seven years old thinking, 'Wow, if you direct a movie, you can break the streets of New York.'
I was 12 and I remember everything. I mean, I had done two films before that. The first was actually with Amy Heckerling. It was so brilliant to work with her on my first film. Atonement was the third one I'd done, and I remember how it felt to arrive on set every day. I remember how it felt to get my wig off at the end of the day. I remember how hot it was.
When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record. I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like. I can remember sitting up in guitarist Chris Walla's bedroom and for the first time in my life having this realization like, "Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play."
I remember, after the New Year's Eve 1991 show, somebody running onto the bus and saying Nirvana had just hit No. 1. I remember thinking, 'Wow; it's on now.' It changed something. We had something to prove - that our band was as good as I thought it was.
Sitting there with them, it was almost hard to remember when I first came to Perkins, so determined to remember to be a one-woman operation to the end. But that was the thing about taking help and giving it, or so I was learning; there was no such thing as really getting even. Instead, this connection, once opened, remained ongoing over time.
As a wrestling fan, I can remember years ago seeing my first Street Fight between Wahoo McDaniel and Tully Blanchard, and I remember thinking to myself that I will really think I've made it when I can come to the ring in jeans and cowboy boots with my hands taped and stuff like that.
I distinctly remember watching Annie when I was very little and thinking 'I don't like this kid.' In fact I think I remember thinking 'I don't like any of these kids.' That's all I remember.
I come from Toledo, Ohio, a town that has been hurt badly by the shift of the automobile business towards Japan. And yet I remember how the car workers lived in the neighborhood that I grew up in. My father was a car salesman, and I remember how we lived. I remember how modestly we lived.
I can remember lacing up my boots ahead of my first cap against Japan in the 1995 World Cup in South Africa. I remember the changing room, the smell of the place, every last detail of how I warmed up, walking out onto the pitch, thinking how proud my parents would be. I was doing all I ever wanted to do.
After 9/11, I had just become an American citizen, and I remember sitting in front of my TV set watching the news of the attacks, in tears. I remember thinking to myself, 'Nothing is ever going to be the same in this country for people who look like me.'
When I write a song, it's all about the riff - the riff first, then the words come later.
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