A Quote by Nita Strauss
Yes, of course, I've been dreaming about it since I was a kid. Even now, I'm 31 years-old now and I've never been on a cover of a magazine. It makes you feel in such a way to do it with my signature guitar and to have it be Guitar Player magazine, it was really just an amazing experience.
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I never really trained to be a musician, but I've been playing guitar since I was around, like, 13 years old. For me, the guitar has always been the instrument that I've played. I play a little piano. I taught myself everything by ear. I don't read music at all, which has not really been a hindrance.
People didn't know I played guitar on all the hit records I had. I've never been in an acoustic guitar magazine and I'd put myself up against anybody.
For me, the guitar was just a tool to make songs. I started when I was 10 - I learned what I had to learn to get my ideas across. I always felt I was a weak guitar player, but now I realize with the finger-picking stuff, I actually know how to do what I do with my songs, but I couldn't step in and be an overall guitar player. But my guitar playing has always been driven by the need to write songs.
The guitar player that I'm doing my solo tour with, Angel Vivaldi, he's been releasing incredible guitar albums and people just don't really know about them because instrumental guitar isn't really at the forefront of music these days.
I've been on the cover of "Time" magazine just about - I think it was four times now. Four times now in the last few months, and a lot of it is because of this. They've never seen this happen before.
Everybody besides my piano player has been with me since the very first day. We were a four-piece band for a solid two years. It was me playing acoustic and rhythm electric guitar, a bass player, a drummer and a lead guitar player. For a couple of years, we sounded like the Foo Fighters.
I asked for a guitar when I was 8 years old for Christmas. I have no idea why. I never had any guitar heroes. I still don't. But there must have been something in me because I've been playing for 30 years.
I was co-editor of the magazine called The Jazz Review, which was a pioneering magazine because it was the only magazine, then or now, in which all the articles were written by musicians, by jazz men. They had been laboring for years under the stereotype that they weren't very articulate except when they picked up their horn.
I'd always had an interest in guitar from about seven years old. But I first actually had lessons when I was about fifteen in Scotland, in Edinburgh. There was a folk club there and a girl called Jill Doyle taught me the guitar, who happened to be Davey Graham's sister. Davey Graham is one of my heroes and always has been. Fantastic guitar player. And he's had a strong influence on me all the way through.
So, really, I just try to be the best guitar player I can be - not the best female guitar player, not the best 'X amount of years' guitar player, or whatever - just the best guitar player.
I've never really been schooled in music theory. I'm a guitar player, and I attack the guitar in a certain way that it not fully unique to me, but it's more unique that some other people.
A gut-string classical Spanish guitar, a sweet, lovely little lady. The smell of it. Even now, to open a guitar case, when it's an old wooden guitar, I could crawl in and close the lid.
'Sports Illustrated' decided to have curvy women not only in their magazine but on the cover of their magazine. Now, that means size diversity is here, and it's real, and it's not a trend.
My experience here at the WWE Performance Center has been amazing. I'm just looking forward to being here and learning as much as I can the time that I'm here. I've been a fan of the sport since I was a little kid, and now I get to participate in it.
The music I'm playing now is the music I always imagined myself playing when I was a kid. It's been nice to use my instrument a bit more - play the guitar in a more fun way with riffs and stuff like that - rather than just propping up a whole song with a guitar and my vocals. There's so much more energy in the crowd as well; they've been bouncing around and having fun, and it's nice to feel like you're a part of something in a room rather than just performing for a crowd.
In order for a person of color to get on a cover of a magazine, they have to do something prolific - winning an Oscar, being the first billionaire, you know, or whatever. I think it's becoming more natural that somebody can get on the cover of a magazine just because they're an amazing person. That's what it should be.
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