A Quote by Nithya Menen

My cinema is of a different kind: give me a good meaty role instead of two or three songs and running around in foreign locations wearing itsy-bitsy costumes. I'm clear and focussed about my priorities.
There is always a temptation to diddle around in the contemplative life, making itsy-bitsy statues.
Understated jewellery is not for me. It's too itsy-bitsy. My husband is lucky, as I've never had a yen for real jewels.
I was probably about 13 or 14, and I went by myself to the City Auditorium in Colorado Springs and saw the guy who wrote and sang "Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini." Brian something. And I got to meet him and he signed an autograph for me, a little piece of paper. Brian Hyland! It was so bizarre.
There is always the temptation in life to diddle around making itsy-bitsy friends and meals and journeys for years on end. It is all so self conscience, so apparently moral...But I won't have it. The world is wilder than that in all directions, more dangerous...more extravagant and bright. We are...raising tomatoes when we should be raising Cain, or Lazarus.
I know that the work is good and they're excited over at ABC and Disney and it's getting some really good feedback. It's not just a little, insignificant kind of role. It's meaty, which is good.
It was like two different photographers, and shot in three different locations and it was really fun to do. There were 12 beautiful girls in it. It was great.
Brian Hyland just happened to be playing in our town and that song [ "Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini"] was really big. And I got to go back by the stage door, and he autographed a piece of paper for me and I just, I went crazy.
Songs kind of live in a timeless place for me, and since I make records I dunno, about every two-and-a-half to three years or something like that, it's just not enough to put all the songs that I have, no matter how much I put.
To me, the best love songs work on two - maybe three - different levels, where you're talking about the person who you're right opposite, and all the people like that.
If a script demands a lot of stars we can't avoid it. Instead of complaining about getting a meaty role, I'd rather be glad that I am getting recognised for my work.
Someone's going to put the clothes on you, and part of being an actor is wearing costumes. Costumes tell you an awful lot about who you are, so you just, it's nothing.
Many of us on the project were thinking if we ever saw a gravitational wave, it'd be an itsy bitsy little tiny thing; we'd never see it. This thing was so big that you didn't have to do much to see it.
I sometimes feel that I am trying to dig in the world around me. I'm involved in another kind of archaeology to look for another kind of truth, and the moment I find, the moment I am separated from that life, the moment I am sort of in a world, every time I have gone out and performed in the, in the cinema for example, if you do two or three films on the trot you suddenly have this impression that you're becoming separate or separated from the world around you.
I made my career off posing in swimsuits and doing all the swimsuit issues and posters, but I will tell you that that little bit of material on an itsy-bitsy bikini - taking that off was very nerve-racking the first time.
Both teams are making mistakes. Florida's making these itsy-bitsy little ones, and Tennessee is making huge, gigantic mistakes.
Good buildings make and are made by their settings, and they are appropriately different in different locations. Climate, culture, topography and materials have helped create regional architectural languages that seem curiously right for their locations and for all times.
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