A Quote by Norman Davies

Historical change is like an avalanche. The starting point is a snow-covered mountainside that looks solid. All changes take place under the surface and are rather invisible.
You look out on the driving range and it looks like snow, but it isn't, it's covered in golf balls.
She's like snow in Russian," said Anna. "Snow in the evening when the sun sets and it looks like Alpengluhen, you know? And if snow had a scent it would smell like that [the rose].
The business changes. The technology changes. The team changes. The team members change. The problem isn't change, per se, because change is going to happen; the problem, rather, is the inability to cope with change when it comes.
The classical error of historical Christianity is that we have never started with the value of the person. Rather, we have started from the 'unworthiness of the sinner', and that starting point has set the stage for the glorification of human shame in Christian theology.
Concentrate your narrative energy on the point of change. This is especially important for historical fiction. When your character is new to a place, or things alter around them, that's the point to step back and fill in the details of their world.
Trees have about them something beautiful and attractive even to the fancy, since they cannot change their places, are witnesses of all the changes that take place around them; and as some reach a great age, they become, as it were, historical monuments, and like ourselves they have a life, growing and passing away, --not being inanimate and unvarying like the fields and rivers. One sees them passing through various stages, and at last step by step approaching death, which makes them look still more like ourselves.
...the global surface albedo [surface whiteness] and greenhouse gas changes account for practically the entire global climate change.
Beneath the broad tides of human history there flow the stealthy undercurrents of the secret societies, which frequently determine in the depth the changes that take place upon the surface.
Our shipment of mowers was lost at sea and while we waited, winter descended and covered our green lawns with snow. That taught me a key lesson, the importance of timing. The shipping company lost the lawnmowers! By the time they showed up no one wanted them, as you can't cut grass when it's covered with snow.
I covered hockey for a few years in the late '90s and early 2000s for the 'Colorado Springs Gazette,' and I covered the Avalanche for some of the glory years. I've done hockey off and on as a sportswriter but never played it.
Well you'd see a very dramatic change in the perspective of small businesses, entrepreneurs, middle-size businesses, and perhaps even some large multinationals. They'd say, you know what, America looks like a good place to invest again, a good place to take risk, a good place to hire again.
Midlife is a time of explosive change, particularly for women. It's just like experiencing another puberty. The changes that take place in your body are enormous and, like puberty, you have to throw off the past.
We love the sight of the brown and ruddy earth; it is the color of life, while a snow-covered plain is the face of death. Yet snow is but the mask of the life-giving rain; it, too, is the friend of man, the tender, sculpturesque, immaculate, warming, fertilizing snow.
Video looks like reality, it's more immediate, it has a verite surface to it. Film has this liquid kind of surface, feels like something made up.
In sum: banking theory and practice, as immobilizing and fixating forces, fail to acknowledge men and women as historical beings; problem-posing theory and practice take the people's historicity as their starting point.
It takes time for change to take place. But then when huge changes are taking place, they are extraordinary. And it requires a kind of philosophical thinking, thinking in terms of epochs.
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