A Quote by Norman Jewison
In America there's no rights for the artist, so whatever films I've made kind of belong to the studio.
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As you know, in America there's no rights for the artist, so whatever films I've made kind of belong to the studio, so if they want to remake it they can.
With excessive digitisation, now, everyone is making films, which is good, but the makers think that they will quickly make films in digital and bag satellite rights but television channels buy satellite rights of notable films only. If we made fewer films a year, percentage of hits would be better.
I think I was very lucky to have grown up with an artist's studio in the house. It was a kind of life that was possible. Yeah, it made it kind of harder because the standards were higher, but there was no pressure.
If I was an artist, and I was in the studio, then whatever I was doing in the studio must be art.
This country was founded upon the principle that we are all endowed with certain inalienable rights to Life, Liberty, and the Pursuit of Happiness - those rights are what make America great, and they belong to each and every one of us.
What is it that an artist does when he is left alone in his studio? My conclusion was that if I was an artist and I was in the studio, then everything I was doing in the studio should be art . . . . From that point on, art became more of an activity and less of a product.
You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place.
Charles Laughton, who's a great hero of mine, only ever made one film and it happens to be one of the great films ever, which is 'The Night of the Hunter.' It's full of his kind of imagination and creation and how you do things and just in the way he used the studio, I just thought it was a fantastical way of using the studio.
As an artist, I am here to get involved in meaningful films. But that does not mean only films like 'Arabikkadha' should be made. If you give an overdose of such films, the subject will become jaded.
No one has the right to use America's rivers and America's Waterways, that belong to all the people. as a sewer. The banks of a river may belong to one man or one industry or one State, but the waters which flow between the banks should belong to all the people.
Can one generation bind another, and all others, in succession forever? I think not. The Creator has made the earth for the living, not the dead. Rights and powers can only belong to persons, not to things, not to mere matter endowed with will...Nothing is unchangeable but the inherent and unalienable rights of man.
By outlawing Solidarity, a free trade organization to which an overwhelming majority of Polish workers and farmers belong, they have made it clear that they never had any intention of restoring one of the most elemental human rights the right to belong to a free trade union.
The kind of films that are made depends on the kind of films that are becoming hits. That's why I always say you should be very careful about which film you decide to watch.
We have rights in America. In tandem with those rights, we have responsibility. Whatever type of journalist we are, whether it be in the entertainment business, or as professional journalists, we always have the consequences of the way we present fact and information.
There's big studio films I didn't want to do. I didn't want to go through the hoops and ladders. I wouldn't have been able to work with the directors I've worked with if I did those studio films.
There have been 15 or 16 screenplays over the years, including one by me, but none of them has gotten made because Paramount is a huge studio. The Dice Man is an anti-establishment cult novel and you don't normally make studio films from such dark comedy material.
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