A Quote by Octavia Spencer
People think that I have this wonderful hourglass figure, but I owe that to designer Tadashi Shoji because he cuts for me really well.
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One kid said to me, he said, Mr. Lloyd, we really owe you. And I explained to him, man, you owe me absolutely nothing. I said, whatever kind of career I had, it has served me well, but you do owe some people. And the people you owe are the folks who are going to come behind you. It's incumbent upon each watch — when you play your 10, 11 years and you're in your group — when you leave, I truly hope that you've done all you can possibly do to leave it a better place for the folks who come behind you.
That's the point. Every kind of animal thinks its own kind of animal is wonderful. So people getting married think they're wonderful, and that they're going to have a baby-- that's wonderful, when actually they're as ugly as rhinoceroses. Just because we think we're so wonderful doesn't mean we really are. We could be really terrible animals and just never admit it because it would hurt so much.
I want you to think of your life as an hourglass. You know there are thousands of grains of sand in the top of the hourglass; and they all pass slowly and evenly through the narrow neck in the middle. Nothing you or I could do would make more than one grain of sand pass through this narrow neck without impairing the hourglass. You and I and everyone else are like this hourglass.
I do feel like I owe something, but not to the industry. When you say "industry," I think of a group of people who don't really care much about you and treat you as a commodity. So, in that regard, I don't feel like I owe anything. But the people who've always been supportive of me and have always seen me for my greatest potential-those are the people who I feel like I owe something to. I feel like I am their voice. I owe it them to represent them in a way that they can be proud of.
A Joan Crawford dress looks really good on an hourglass figure.
I was a witness to lots of death... Saving a human life was something really, really beautiful... no matter who they are. Not only Israeli people owe me their lives. I guarantee many terrorists, many Palestinian leaders, owe me their lives - or in other words they owe my Lord their lives.
I love working with a set designer because, in many respects, you meet the set designer before you meet the actors. So it's a chance for me as a director to figure out what I'm thinking and to explore how the space is going to actually be activated.
I take pop culture really seriously, I think it's really important, and the stuff that I make...I don't want it to be insubstantial, even if it's about something wacky, like sharpening pencils. I feel like I owe it to myself and I owe it to people who are really interested in pencils and I owe it to anybody to do my due diligence and give them something real.
Some designers are so airy-fairy people can't connect with them. I hope people can relate to me, to a normal person who just happens to be a fashion designer, that people can take me as they find me. It's not the designer's job to care about what people think. Whatever else I've done, I've never tried to be something that I'm not.
You cannot really be too concerned with what people think of you. You're on your own adventure of growth and discovery. So it's not always good to be who people think you are, especially if you subscribe to it as well ... which is easily done, because then you don't have to figure out who you are, you just ask somebody else.
What I love about Tadashi is that he isn't a designer that designs only for a double-zero. He designs for double-Ds, you know? Women of all shapes and sizes can wear him.
The air strikes are important [to fight ISIS], but we need to have an air force capable of it. And because of the budget cuts we are facing in this country, we are going to be left with the oldest and the smallest Air Force we have ever had. We have to reverse those cuts, in addition to the cuts to our Navy and in addition to the cuts to our Army, as well.
I love my hourglass figure.
Under Wenger I became the player that I am today because he's the guy that signed me at 16. I owe him a lot and all the time I spent here he made me play so much even when I was really young. Those are things you owe him back.
I think the secret is really observation. Well, if you observe what's going on and try to figure out how people are thinking, I think you can always write something that people will understand.
I think the way design was practiced for most of the 20th century was very declarative. A designer came up with a solution for a project and put it in place and shipped the solution and it landed in a reader or a customer's hands as a brochure. They would see it as a poster, or as a piece of signage. And that was sort of it. That was the end of it. I think Internet technology has really upended that whole equation because in some ways a designer's work is never really done online.
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