A Quote by Oliver Stone

I'm a dramatist. Dramatists have a right to look at history and interpret it the way they see it. — © Oliver Stone
I'm a dramatist. Dramatists have a right to look at history and interpret it the way they see it.
I am not trying to be a historian and a dramatist; I'm a dramatist, a dramatic historian, or one who does a dramatic interpretation of history.
The great dramatist has something better to do than to amuse either himself or his audience. He has to interpret life.
The impulse to write the poem, that impulse is a great dramatic impulse. But hell, anybody could write a play. I do know this: all writers are not dramatists. You may be a great writer, but that doesn't necessarily mean you're a dramatist. Very few people have done both.
The Russian dramatist is one who, walking through a cemetery, does not see the flowers on the graves. The American dramatist . . . Does not see the graves under the flowers.
When you look at the piece of paper, and there's just words on there, you interpret it as the actor to whatever you think is right. There may not be the hidden meaning behind the dialogue, because you don't really get to see what's going on.
I do have a side as a citizen, and I've always expressed it, and that's where I've gotten into misunderstandings, because some people see me as a leftist nut or whatever. A conspiracy nut. All that stuff. These are definitions that don't really apply to a dramatist, because a dramatist is working from empathy.
I think where you're born brings a history with it - a cultural history, a mythical history, an ancestral history, a religious context - and certainly influences your perception of the world and how you interpret everyday reality.
Wisdom is looking at life from God's point of view. You look at life's difficulties and tests as God looks at them. You look at family life and child rearing as God looks at them. You interpret current events as God would interpret them. You see the truth even though all around you are deception and lies.
Do not feel trapped by the facts of your history. Your history is not some set of sacred facts. History is an interpretation, and your history is yours to interpret. To know the history and then reinterpret it gives you additional depth.
If you look at history, and if you look at all these different things that have threatened the movie industry - from Betamax tape to DVDs to the Internet - in the end, it has always turned out right, because ultimately people want to see that stuff.
That got me a look so intense I was unable to interpret it - like the way cats sometimes fix on you. What they mean by the look is completely beyond understanding; but it's meant for you, you alone.
Belonging to the Dramatists Guild Council where, with my fellow dramatists, I can directly affect (and protect) the professional lives of all American Playwrights has always made me feel that I am returning as much to the theatre as I withdraw. Because only playwrights can ensure the well-being of playwrights. No one else will do it for us.
I now know that to do a worthwhile family history I must interpret the past without falling into either demonizing or unquestioning acceptance. . . . As a playwright, what I object to right now is any form of fundamentalism, whether it's nationalistic, religious or ethnic. . . . I think it is ridiculous - and fundamentalist, by the way - to say that I am not changed by the culture around me.
When we interpret the violent portraits of God through the lens of the cross, we can see God doing in history what he did in a supreme way on Calvary. And this is how these violent divine portraits anticipate, and point us toward, the cross.
If you look at history, even recent history, you see that there is indeed progress. . . . Over time, the cycle is clearly, generally upwards. And it doesn't happen by laws of nature. And it doesn't happen by social laws. . . . It happens as a result of hard work by dedicated people who are willing to look at problems honestly, to look at them without illusions, and to go to work chipping away at them, with no guarantee of success — in fact, with a need for a rather high tolerance for failure along the way, and plenty of disappointments.
I want to look at myself the way I do on purpose, because if you aggrandize and try to look at yourself the way a fan does or the way a reviewer does or the way - God bless them, they all got a right to, everybody's got a right to an opinion about it.
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