A Quote by Oliver Stone

Horses are very difficult to shoot. — © Oliver Stone
Horses are very difficult to shoot.
Production-wise, it is difficult to shoot an entire film in the U.S. It's logistically difficult, as getting permission takes time, and it is also expensive to shoot there.
I had been riding horses before my memory kicked in, so my life with horses had no beginning. It simply appeared from the fog of infancy. I survived a difficult childhood by traveling on the backs of horses, and in adulthood the pattern didn't change.
Not all horses are going to be show jumpers, not all horses are going to be dressage horses. So you have to sort of find where the horse physically fits into what might suit him, but all horses can be comfortable and all horses can have good, solid fundamentals.
There's no way around it - drama is very difficult to shoot. It's very heavy and something that you carry with you for the course of the day.
There's no way around it, drama is very difficult to shoot. It's very heavy and something that you carry with you for the course of the day.
The corncob was the central object of my life. My father was a horse handler, first trotting and pacing horses, then coach horses, then work horses, finally saddle horses. I grew up around, on, and under horses, fed them, shoveled their manure, emptied the mangers of corncobs.
It is very difficult to shoot mythological shows. The costumes and the make up are very time consuming... It definitely takes a toll on the body.
I first saw 'They Shoot Horses, Don't They?' when I was very young. Its transporting qualities were so strong that I felt like I had lived it. Only recently, with adult eyes, was I able to metabolize how tragic a tale it really is.
It is very, very difficult for a playwright to write a scene in which a young man has his first deep experience of sex with a girl whom he found immensely attractive, is fully satisfied by this event and gets up and blinds a lot of horses.
Horses are like people - they have different personalities. They can be nice, friendly and hard-working, or awkward, difficult and lazy. If horses were people, some would be on the dole, and others would be entrepreneurs.
The most difficult thing with a new shot is if you go two or three games without making it, or you struggle, and people start saying, 'You can't shoot 3s,' or, 'Why do you shoot 3s?'
I'm very comfortable with horses. I love horses and I have grown up around farm-hands. There's something very universal about anyone who's on horseback night and day. When you get off that horse, you are still walking as if there's still a horse between your legs.
I play golf with my shirttail out. I own a golf course because it's very, very close to my house, and I don't want to drive 45 minutes to the north side of Oklahoma City to play golf every day. I have race horses 'cause I love horses and it's my hobby.
I think nervousness - a heightened sense of nerves and attention is a very healthy thing for a performer. It is an artificial environment that you are going into whether it's concert or recital, or stage. When I know something so well, I've done it so often, and you kind of walk out for Tuesday night's performance, or you feel like that, that makes me more nervous then being geared up. A little bit like race horses. In the same way that the horses are always difficult to get into that lineup, the worst time of my life is the 10 or 15 minutes before I go on stage.
Horseracing and ranch horses are two different animals. You're getting race horses out and running and running them. It can be really problematic. A thoroughbred's very delicate.
I realized horses have personality when I bought one and I had one, who's now out to pasture, a horse named Drifter. Before that, I was a city boy. Horses, I used to go out to the LaBagh Woods and ride at a stable once every two years or something; no idea about horses. Dogs, I knew, had personalities, but not horses.
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