A Quote by Oliver Stone
I'd love to do historical pictures more, but I don't know if I can.
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When you walk in the front of the White House, the pictures on the walls, they change out pretty frequently. They're all very cool and historical, with pictures from the current term and past terms.
As much as I love historical fiction, my problem with historical fiction is that you always know what's going to happen.
Problems come and go over time, and to understand why is a difficult historical task. If one wanted to find the origin of a problem, historical research and close attention to texts is what is needed, not unconstrained speculation about the 'pictures' that philosophers must be in the grip of.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
I think fame and all that madness, people taking your pictures all the time, drives me insane. It's a catch 22...the more they take pictures of you, the more upset you get by it and the more crazy you look and the more pictures they take of you. I think it's disgusting what's happened with that kind of celebrity culture right now.
On things she had to pack before leaving her home in advance of a forest fire, 1996. Childhood pictures and pictures of my life. Do you know how many pictures that is? Not just this life; I have pictures from 13,000 lives.
These pictures possibly give rise to questions of political content or historical truth. Neither interests me in this instance. And although even my motivation for painting them is probably of no significance, I am trying to put a name to it here, as an articulation, parallel to the pictures, as it were, of my disquiet and of my opinion.
I find it exciting to get any historical material from the ground. As you know, I love to put ancient Israel and its literature into their ancient contexts. And to rebuild - that is, to me, a very exciting historical task.
When I think of high school, stills are so important: it's all about the wallet with the kids - they define themselves with pictures, who they know, whose pictures they have. Yearbook pictures.
Nature is more subtle, more deeply intertwined and more strangely integrated than any of our pictures of her than any of our errors. It is not merely that our pictures are not full enough; each of our pictures in the end turns out to be so basically mistaken that the marvel is that it worked at all.
I don't know which I like best. I love the applause on the stage. But pictures are so fascinating - you reach many millions through them. And you make more money too.
And that is the trouble with all lovers: they want more love, because they don't understand that the real desire is not for more love, but for something more than love. Their language ends with love; they don't know any way that is higher than love, and love does not satisfy. On the contrary, the more you love the more thirsty you become. At the fourth center of love, one feels a tremendous satisfaction only when energy starts moving to the fifth center.
To an ever greater extent out experience is governed by pictures, pictures in newspapers and magazines, on television and in the cinema. Next to these pictures firsthand experience begins to retreat, to seem more and more trivial. While it once seemed that pictures had the function of interpreting reality, it now seems they have usurped it. It therefore becomes imperative to understand the picture itself, not in order to uncover a lost reality, but to determine how a picture becomes a signifying structure of its own accord.
I love the interplay between words and pictures. I love the fact that in comics, your pictures are acting like words, presenting themselves to be read.
I try to take pictures on their own terms, considering the historical and social context from which they emerge.
There's this thing that publishes pictures of people out and about. So when I go out, I do see pictures of myself. I don't know where those pictures come from - I mean, I don't see the cameras. But I guess I'm just not looking for them.
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