A Quote by Oliver Stone

One of my fantasies in my life has been that I was granted access with a camera to go back in time, and to film the actual campaign of Alexander crossing into India through Iran and Persia.
Alexander's achievement was not the conquest of India, but the feat of actually getting there and his two years in India were more of a geographical expedition than a military campaign. .... a Greek army had reached what they regarded as the end of the earth. They had pitted themselves against the ultimate as bravely as the yogins had struggled to break through the limits of the human psyche. Where mystics had conquered interior space, Alexander explored the farthest reaches of the physical world. .... like many of the axial sages, he was constantly 'straining after more'.
A U.S. war with Iran could end with a Kurdish enclave in Iran's northwest tied to Iraqi Kurdistan, Iran's Azeri north drifting toward Azerbaijan, and a Balochi enclave in the south linked to Pakistan's largest province, Balochistan, leaving Iran only Persia.
I always have traveled with a camera throughout my life, but I always had my old 35mm film camera. When I was training to go into space, the only equipment there was a digital camera. I went through a fast-track class on Earth. It actually was fun, though I'm basically a dinosaur with computers.
The film camera's ability to physically move through space, not zoom through space - every time we have a video camera the movement is through zoom; every time we have a film camera it is a physical movement.
The reality is, because of access to film, you don't have a lot of black people who want to go behind the camera. We raise our children to want to be in front of the camera and shine, and that's on us.
I think we have gotten to a point as Americans, unfortunately, where we take for granted the magic that life brings and that life is really special and every life matters. We tend to go through life but not take the moment to step back and remember you are here, right now, for a very finite amount of time.
When al-Qaeda was on the run from Afghanistan crossing through Iran, some were arrested and they are imprisoned. Some of them are charged with some actions in Iran.
If I'm traveling, I'll take a film camera and a digital camera because sometimes there are moments where, if you've lost it, or if coming back and it accidentally goes through the X-ray machine and it gets overexposed, you might have had a really important moment to you and you would be really upset that you didn't have a back-up.
This life has been a test. If it had been an actual life, you would have received actual instructions on where to go and what to do.
This is life. It is everywhere, and it is here for the taking. I am alive and I know this, now, in a more profound way than when I am doing anything else. These sights are ephemeral, fleeting treasures that have been offered to me and to me alone. No other person in the history of the world, anywhere in all of time and space, has been granted this gift to be here in my place. And I am privileged, through the camera, to take this moment away with me. That is why I photograph.
Film is a great tool to play with time, going back and forth through time, or speeding time up and slowing it down and do stuff like that. That's something you can't experience in real life that you can experience on film, and it takes you to a different place.
In my role as a spokesperson for Amnesty International U.S.A. and as a supporter of various charitable causes including Unlock Iran, a campaign to release prisoners of conscience in Iran, I have never been faced with the threat of intimidation or arrest.
Of course, you do not do any research: you have to go there and do your film. It's not that I would travel there before without a camera and spend half a year on one of those volcanoes and then come back with a camera. You have to have some sort of a clear mindset.
The camera is one of the most frightening of modern weapons, particularly to people who have been in warfare, who have been bombed and shelled for at the back of a bombing run is invariably a photograph. In the back of ruined towns, and cities, and factories, there is aerial mapping, or spy mapping, usually with a camera. Therefore the camera is a feared instrument, and a man with a camera is suspected and watched wherever he goes... In the minds of most people today the camera is the forerunner of destruction, and it is suspected, and rightly so.
I always had all of these childhood fantasies about wanting to invent things, like a spaceship or a time machine. And everyone's imagined what it would be like to go back in time and change things, to see what would happen if you had a different life. 'Back to the Future' fulfills all of those daydreams. It's the perfect movie.
I'm in a great place because I trust people behind the camera as I go off, and I still go back to my day job and do film.
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