A Quote by Oliver Stone
A woman can be very beautiful and an ideal model and she will photograph incredibly well, but she'll appear in film and it won't work. What works is some fusion of physical beauty with some mental field or whatever you call it. I don't know.
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I believe that there are three conditions to a woman’s beauty. First, you must realize that not all women are beautiful all of the time. Sometimes beauty comes on a subconscious level. When she is in love, or has met someone new and exciting, she shines. Second, you must understand that life is unfair. Beauty is something that, for some, must be worked at. The third condition is luck. Some women can just be lucky.
As a late teenager, I had some puppy fat on me, and I noticed that I could put on weight. I have always been very disciplined because my mother was very beautiful, a very pretty woman, but she was immobilised by obesity. At her biggest, she was about 17 stone. And she was always on some sort of fad diet.
It seems to me that the chief thing about a woman - who is much of a woman - is that in the long run she is not to be had... She is not to be caught by any of the catch-words, love, beauty, honor, duty, worth, work, salvation - none of them - not in the long run. In the long run she only says Am I satisfied, or is there some beastly dissatisfaction gnawing and gnawing inside me. And if there is some dissatisfaction, it is physical, at least as much as psychic, sex as much as soul.
I was in the South of France, in Saint-Tropez and I met her when it was totally unexpected. I was very lucky because she was the most beautiful woman in the world at the time. I photographed her very quickly, she was not easy as a model, but her beauty transcended anything I had seen before.
A woman can do anything. She can be traditionally feminine and that's all right; she can work, she can stay at home; she can be aggressive; she can be passive; she can be any way she wants with a man. But whenever there are the kinds of choices there are today, unless you have some solid base, life can be frightening.
It's up to brave hearts, sir, to be patient when things are going badly, as well as being happy when they're going well ... For I've heard that what they call fortune is a flighty woman who drinks too much, and, what's more, she's blind, so she can't see what she's doing, and she doesn't know who she's knocking over or who she's raising up.
I don't think Emma Watson needs any advice. She's an incredibly smart young woman who knows what she wants out of life and she has some great parents.
The Western man declares that in order to be beautiful, a woman must look 14 years old. If she dares to look 50, or worse, 60, she is beyond the pale. By putting the spotlight on the female child and framing her as the ideal of beauty, he condemns the mature woman to invisibility.
A woman director is not obliged to make a feminist film. She can make what she wants, a thriller, an action film, a comedy, or whatever, but hopefully, she will be informed by a gaze that is female.
A woman will test you to see if you are what you say you are. Any woman that you fall in love with: She loves you too, but she's going to try you; that's her nature. She has to know that she can depend on you; she has to know that you will stand up for her. She has to know that you will back up the children that she brings in the world for us.
By putting the spotlight on the female child and framing her as the ideal of beauty, he condemns the mature woman to invisibility. In fact, the modern Western man enforces Immanuel Kant's nineteenth-century theories: To be beautiful, women have to appear childish and brainless. When a woman looks mature and self-assertive, or allows her hips to expand, she is condemned ugly. Thus, the walls of the European harem separate youthful beauty from ugly maturity.
I've known Carolyn [Maloney] for years, by the way. I knew her when she was on the City Council and knew her when she was - when she was running, and we endorsed her very early when she ran for Congress, yet I didn't know some of the stories in here of herself and her struggle, and - and she makes a very - you know, it's - it pulls your heart as well as - but it's very practical.
If you talk to a woman, she will give you at least five incidents in a day, 5-10 in a month, where she had to work harder to prove herself because she is a 'woman,' maybe at a male-dominated work place or when she has to come across as a smarter woman if she is good-looking.
Christy Turlington is my idol. She really is. She's a gorgeous woman inside and out. I admire her work in the charity field. She's just been able to balance it all - and gracefully, as well.
I've been working on Barb for a while. I looked at her as a sort of every woman. She's incredibly strong; she's incredibly generous. She's seemingly insane because she is in the situation of a polygamous relationship, but she had definite reasons to do it.
My daughter [Ariana], she's a sweet, lovely girl, but she doesn't have the drive or the belief in herself. As it says in the film, I get touched up thinking about it, no one can give you a career. You have to have that inner drive. She wants it, but she doesn't know how to go for it, she's too shy. To see her perform and come on stage and feel comfortable, you know, she has talent - that was very touching, very moving, for me. She has a really beautiful sound and voice. She's a young girl still, 26, and innocent. She was kind of sheltered.
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