A Quote by Olivier Dahan

I started to think of Grace of Monaco as a metaphor for women in general. — © Olivier Dahan
I started to think of Grace of Monaco as a metaphor for women in general.
Grace Kelly forged a link between Monaco and the movie world, and I would like to create a strong bond between Monaco and the fashion community.
'District 9' was a singular anti-Apartheid metaphor, and 'Elysium' is a more general metaphor about immigration and how the First World and Third World meet. But the thing that I like the most about the metaphor is that it can be scaled to suit almost any scenario.
I've lived in Monaco since 2011, but when I wake up every morning I still think, 'Oh my God, I'm living in Monaco!' I'm living in a dream.
Grace woke you up this morning, grace started you on your way and grace enabled you to survive until this very moment.
Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.
I think people just don't respect women's bodies in general, the bodies of women of color in general.
I think women have made progress in cinematography, contrary to women directors, who I think have regressed. There are many more women cinematographers than when I started.
This is a generalization, but I think women's brains are more accessible to ideas and differences. And they can accept stuff that's weirder. I think there are enough intelligent men out there who get it, but women will watch behavior that's different and process it better. In general, women are less threatened by their emotions.
We started to have more women and little girls in our audience, where it started to be 40 percent female that sat in our live audience. So I think, when that was happening and the women were stepping up and saying, 'Hey we can do what the men do,' and then you saw it on a reality show, it was just inevitable for us to have this women's evolution.
Moreover, metaphor is typically viewed as characteristic of language alone, a matter of words rather than thought or action. For this reason, most people think they can get along perfectly well without metaphor. We have found, on the contrary, that metaphor is pervasive in everyday life, not just in language but in thought and action. Our ordinary conceptual system, in terms of which we both think and act, is fundamentally metaphorical in nature.
I have always loved fashion and clothes. I mean, I was Grace Kelly for Halloween in fifth grade, which is why going to Monaco was so incredible - I've always kind of been obsessed with her.
Winning at Monaco feels unbelievable, because it's such a special race and it's also my home race. My first memories were of watching Ayrton Senna here with his yellow helmet, and one day dreaming to win the Monaco GP.
The people I mixed with in Monaco didn't relate to my South African mentality or humor... Although I have met some wonderful people since I've been living in Monaco, I regard them all as acquaintances. I only have two people I consider friends here.
It is grace at the beginning, and grace at the end. So that when you and I come to lie upon our death beds, the one thing that should comfort and help and strengthen us there is the thing that helped us in the beginning. Not what we have been, not what we have done, but the Grace of God in Jesus Christ our Lord. The Christian life starts with grace, it must continue with grace, it ends with grace. Grace wondrous grace. By the grace of God I am what I am. Yet not I, but the Grace of God which was with me.
I do think in general, women have a value system. And it's that value system that I think is feminism. Not "men are bad, women are good, let's get women empowered" - it's let's get this value system, which is about the capacity to feel and empathize with life, and therefore to protect it.
I started to have these ideas for films. They were like running images in my head. But I didn't think I could be a director. I just literally didn't think it was a possibility. Then I started to suddenly see films of women.
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