A Quote by Olivier Megaton

I'm a painter. I was a graffiti artist, and I painted all over the world. — © Olivier Megaton
I'm a painter. I was a graffiti artist, and I painted all over the world.
Traditional graffiti writers have a bunch of rules they like to stick to, and good luck to them, but I didn't become a graffiti artist so I could have somebody else tell me what to do. If you're the type who gets sentimental about people scribbling over your stuff, I suggest graffiti is probably not the right hobby for you.
You can go to places in Africa and Asia and find Marley graffiti. In the slums of Nairobi, you see his lyrics painted on walls, and you realise he has this almost religious significance to the underclass of the world. He's a guy born in a hut with no bed, and now he's probably the most listened-to artist in the world. It's fascinating.
My graffiti really comes more from a May '68, sort of Situationist vibe than the hip-hop world. I think a real graffiti artist would find me a poser.
Bursts of gold on lavender melting into saffron. It's the time of day when the sky looks like it has been spray-painted by a graffiti artist.
every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself.
And I started with this: I have not painted at all my childhood. In fact, I never painted. But I helped my father who was a house painter and decorative painter. He made stage sets, he made glass paintings, he made everything.
The great poet is a great artist. He is painter and sculptor. The greatest pictures and statues have been painted and chiseled with words. They outlast all others.
I'm a painter, that's where I started out, at four years old, that was my first love as far as expression. So, I'm not a painter in the sense of, "Please come see my paintings" but, I do understand the value of not looking over the artist's shoulder while the work is in progress.
I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myself as an artist. So I always say that I write for the same people that Picasso painted for. I think he painted for himself.
Graffiti is art, but you don't see graffiti in the National Gallery. Graffiti is on the street - that's where it belongs.
Albert Durer, the famous painter, used to say he had no pleasure in pictures that were painted with many colors, but in those which were painted with a choice simplicity. So it is with me as to sermons.
I don't write for a particular audience. I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myself as an artist. So I always say that I write for the same people that Picasso painted for. I think he painted for himself.
My grandfather was not a musician but he was an artist - a painter, a decorative painter.
Were it not for this [dissatisfaction], the perfect painting might be painted, on the completion of which the painter could retire. It is this great insufficiency that drives him on. The process of creation becomes necessary to the painter perhaps more than it is in the picture. The process is in fact habit-forming.
All the old bogeys of 'dignified subject-matter,' of 'balanced compositions,' of 'correct drawing' were laid to rest. The artist was responsible to no one but his own sensibilities for what he painted and how he painted it.
I painted. I wanted to be a painter. I sang.
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