A Quote by Omar Zuniga
There is something eminently Chilean about avoiding confrontation, or about not clarifying the way you feel sometimes. It's a particular culture, where emotions are not discussed as profusely with your family or friends, nor shown in an explicit manner.
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It is neither a culture of confrontation nor a culture of conflict which builds harmony within and between peoples, but rather a culture of encounter and a culture of dialogue; this is the only way to peace.
Sometimes, I don't like making emotions your career; something about it is kind of gross. But, at the same time, I want to move people the same way the songs make me feel.
When you're writing songs for yourself, as all artists do, it's about 'me.' It's about what you feel and your emotions. You're trying to get something out of your system about your experiences.
As a writer I'm always mindful that not everyone is going to feel the same way I do about something, so my emotions are just my emotions.
As a writer, I'm always mindful that not everyone is going to feel the same way I do about something, so my emotions are just my emotions.
When there's something that impacts a family member or friend, that is difficult for them, you want to do what you can to help. Sometimes you can't do anything and it makes you feel like you're helpless, so those emotions cross a big barometer, but they're a big, broad stroke when it comes to someone who you care about. If you have compassion in your heart, you just care.
I would then say that there are two kinds of feeling. The first is to feel in the sense of concentrating your emotions on something immediately available for your understanding: you make your understanding out of the emotions you have about it. The second is to feel in the sense of being affected without trying to understand: something is felt, you do not know what, and it is more important to feel it than to try to understand it, since once you try to understand it you no longer feel it.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
Zimbabweans, I've come to believe, we are very passive-aggressive people. We don't like conflict; we don't like confrontation, so we find all sorts of ways of avoiding that conflict and confrontation. We are not allowed to talk about bad things that go on in families.
I'm an English songwriter/composer, working in Mandarin and trying to find something about Chinese culture that I really relate to and respect and feel some genuine emotions for - and it's quite hard, the pentatonic scale, and that, in a way, is why I think it works. Because I'm forced to limit myself to quite strict rules about what I did. Maybe that's how I avoided pastiche.
When you're getting chemotherapy, you feel so alone, even when your family is there, or your friends are there with you. Sometimes it's just you, feeling like you're in a fight against something that you can't control.
I killed your friends.” – Abigail “And I’m not happy about that. But your head wasn’t screwed on right. It’s easy to let the enemies in and listen to them sometimes, especially when they’re pretending to be your best friends who only want the best for you. At least that’s what they claim. They’re insidious bastards, telling you what you want to hear and using your emotions to manipulate you think doing their bidding.” – Sundown
Who says you need to wait until you 'feel like' doing something in order to start doing it? The problem, from this perspective, isn't that you don't feel motivated; it's that you imagine you need to feel motivated. If you can regard your thoughts and emotions about whatever you're procrastinating on as passing weather, you'll realise that your reluctance about working isn't something that needs to be eradicated or transformed into positivity. You can coexist with it. You can note the procrastinatory feelings and act anyway.
Sometimes family doesn't always consist of your relatives or by blood. Sometimes your best friends can feel more like family than your cousins. I think everybody kind of has that same feeling. When you go through an accident together, when you go through a traumatic event, sometimes that brings you closer together.
Even though your emotions aren't wrong, that doesn't mean you have to stay stuck in a particular mood. You can certainly choose to make changes that will influence the way you feel. If you want to change the way you feel, change the way you think and behave.
Far too often scripts are being written with race in mind, but the subject matter doesn't lend itself to any conversation on race. I applaud Jesse [Zwick] for having the courage to say, this [About Alex] just a story about friends, and they could be anyone. There's no specific color that forces a relationship to be discussed in any other manner.
