A Quote by One9

When you have a passion for something the hours, days, months and years that it takes to complete the project becomes secondary because you're working on something that you love.
As filmmakers, you're not working on just one project, you're producing something, directing something, shooting something, and so it becomes hard to do it by yourself.
Every time you work on a project, it's a little vacation from the project you're working on the other 23 hours. That's the thing - it replenishes you to do something else.
Oh! how the hours hasten to change into days, the days into months, the months into years, and those into life's annihilation!
The thing is I really struggle with commitments, so committing myself to six months to a year in a soap opera... I don't think it would suit my lifestyle. A few days working on a project is enough for me, and then I get bored and am ready to move on and do something else.
Love reckons hours for months, and days for years; and every little absence is an age.
Don't write something that is your passion project because all it will do is get the passion stomped out of you.
If I'm gonna spend however long it takes to make a movie, give up 14 hours a day for however many weeks or months, then it's very important for me to know that I'm working with people who I respect and enjoy and that we're going for something together.
Films are done in about three months, and television takes up about ten months out of the year working on the same project.
One thing I've learned is that the audience not only wants to be talked to but they also like to talk back. Maybe that's not a universal thing but people at my shows always have something to say. I love it because it encourages the spirit of having a good time together and it takes the show to places that I wouldn't be able to take it without their participation. The show becomes something that we're all working on together. That sounds really cheesy but I mean it.
The toughest parts of the shooting schedule for me are the days between working, when you've nothing to do but wait. There is only so much time you can spend on a script before it becomes so rehearsed that your performance becomes rigid and immovable on the day of, so one has to occupy one's time in some fashion. For me, those interim days are usually spent exercising, exploring, learning to cook something edible, and working on my own creative endeavors.
I was approached to do something for seven years, and it was a quality project. I did seriously think about it, but I didn't want to be away for six months of the year. I've never done the L.A. thing where you go and have loads of meetings; I can't say to my wife, 'I'm going to wait by a pool for six months.'
That's the most important thing to me - that if I'm gonna spend however long it takes to make a movie, give up 14 hours a day for however many weeks or months, then it's very important for me to know that I'm working with people who I respect and enjoy and that we're going for something together.
First, I think of myself as a brand, a businesswoman. Musician is something I just do because it's my passion - I love it and it's something I do for fun. I love music and I love to make people dance.
Everyone who became great at something has a similar story: For years, they worked on their craft every day, even if they weren’t in the mood. Always pushing, practicing, working, and improvingYes it takes thousands of hours of practice, but that’s good news! It’s a clear path and it’s under your control.
Most of the time, when I get an idea that hinges on some science 'thing,' it will have been because of something I read or encountered months or years earlier rather than in the last few days.
I'm choosy to a fault. You want to hold out for a project that means something. You're the one who's there working fifteen hours a day, and if you don't believe in it, it can feel a whole lot longer.
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