A Quote by Orson Welles
If everyone worked with wide-angle lenses, I'd shoot all my films in 75mm, because I believe very strongly in the possibilities of the 75mm.
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Life The machine The human soul A 75mm breech My portrait
When you see Paul Thomas Anderson's The Master and it's shot on film at 75mm it's...you know. It's hard to compare. But I still think that digital is close enough, and I think it's getting closer and closer to be...there's no doubt it's going to be taking over completely unfortunately.
If you look at classic Hollywood films, they tend to shoot close-ups on quite long lenses and the background it out of focus. You know, it's just a mush.
I'm interested in how people shoot because I have a very specific way of shooting and I'm fascinated by the way other people shoot films, particularly if they're smart and talented.
All life is rife with possibilities. Seeds have possibilities, but all their tomorrows are caught by the patterning of their life cycle. Animals have possibilities that are greater than that of a fir tree or a blade of grass. Still, though, for most animals, the pattern of instinct, the patterns of their lives, are very strong. Humanity has a far greater range of possibilities, especially the very young. Who will children grow up to be? Who will they marry, what will they believe, what will they create? Creation is a very powerful seed of possibility.
Because of Walter, we did it the other way around. We also worked with an awesome sound designer named Will Patterson who just worked for four years on Terrence Malick's films. He did a lot of conceptual work to make the soundscapes in the jungle have this surreal quality, to blend these two films because a lot of the images are about this parallelism between the movies. The sound was very integral to fusing everything.
I really respect people who, while they only do films, they have a wide repertoire and a wide thematic array of films they do.
I was a bookworm, and very skinny with big, thick glasses. I never went on dates and guys were afraid of me because I was smart. So I got contact lenses, started to dress a little better and tried not to talk about Plato with boys. It worked!
I'm not very particular about the commercial angle in my films, but entertainment is very important.
I believe in 3D for certain kinds of films. I certainly believe in using 3D for all things in animation because animation has such clarity and so much depth of focus. It worked great with 'Avatar' because 70 percent of that film is animated.
The reason everybody is so amazed and enamored with me right now is because I have worked every angle, I have worked every formula, I have worked every equation, I have seen every club, I have seen every performance, I have seen every joke, I have studied, I have done my job. That's why I'm good. It's not because I got up one night and decided I wanted to tell some f - -ing jokes.
British actors come at acting from a slightly different angle. Because a lot of the films are cast out there, they are so used to the angle from which the Americans, and certainly the young guys from L.A., are coming at it, that I think it's interesting for them to find these English actors who maybe approach acting from a different place.
I have worked on several horror films but haven't experienced any such thing, that could also be because I don't believe in ghosts.
British actors come at acting from a slightly different angle. Because a lot of the films are cast out there, they are so used to the angle from which the Americans, and certainly the young guys from LA, are coming at it, that I think it's interesting for them to find these English actors who maybe approach acting from a different place.
I, for one, am actually still incredibly idealistic, and I still can credibly or very strongly believe that you have to keep fighting for what you believe in, because it's only when you stop that you've truly lost.
In America, they shoot budgets and schedules, and they don't shoot films any more. There's more opportunity in Europe to make films that at least have a purity of intent.
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