A Quote by Ozzy Osbourne
Take my hand and we'll go riding through the sunshine from above. We'll find happiness together in the summer skies of love.
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You are my sunshine my only sunshine. You make me happy when skies are grey. You'll never know dear how much I love you. Please don't take my sunshine away.
Bianca Nazario stands at the end of the world. The firmament above is as blue as the summer skies of her childhood, mirrored in the waters of la caldera; but where the skies she remembers were bounded by mountains, here on Sky there is no horizon, only a line of white cloud.
In the summer, I love to go up north to a cottage and relax by the lake, swim, go canoeing... I also love riding my bike around Toronto, going to the farmer's market, cooking. That sounds simple, but it's a luxury you don't have when you're living in hotels.
I fell for her in summer, my lovely summer girl, From summer she is made, my lovely summer girl, I’d love to spend a winter with my lovely summer girl, But I’m never warm enough for my lovely summer girl, It’s summer when she smiles, I’m laughing like a child, It’s the summer of our lives; we’ll contain it for a while She holds the heat, the breeze of summer in the circle of her hand I’d be happy with this summer if it’s all we ever had.
People often tell me how much they love the digital skies that we obviously painted for 'War Horse.' Well, there's not a single sky that we put in through special effects. The skies you see in the movie are the skies that we experienced - but it was definitely challenging at times.
Looking at the world through the sunset in your eyes, traveling the train through clear Moroccan skies. Ducks and pigs and chickens call, animal carpet wall to wall, American ladies five-foot tall in blue. Sweeping cobwebs from the edges of my mind, had to get away to see what we could find. Hope the days that lie ahead, bring us back to where they've led, listen not to what's been said to you. Wouldn't you know we're riding on the Marrakesh Express? Wouldn't you know we're riding on the Marrakesh Express, they're taking me to Marrakesh. All aboard the train, all aboard the train...
It is a flaw In happiness to see beyond our bourn, - It forces us in summer skies to mourn, It spoils the singing of the nightingale.
A mother's love is like a tower, Rising far above the crowd, And her smile is like the sunshine, Breaking through a threatening cloud.
The paths by which people journey toward happiness lie in part through the world about them and in part through the experience of their souls. On the one hand, there is the happiness which comes from wealth, honor, the enjoyment of life, from health, culture, science, or art; and, on the other hand, there is the happiness which is to be found in a good conscience, in virtue, work, philanthropy, religion, devotion to great ideas and great deeds.
Rise above the storm and you will find the sunshine.
Everyone here seems to appreciate the sunshine way more than we do in California. We tend to take it for granted, but in Chicago, it's like Woodstock love every time it gets above 70 degrees.
The trick, my brethren and sisters is to enjoy the journey, traveling hand in hand, in sunshine and storm, as companions who love one another.
We always spend the summer together. My wife and kids, we always go back to Massachusetts and spend the summer there near where my wife and I both grew up. I wasn't willing to sacrifice the summer to go elsewhere.
A whole new kind of spiritual happiness dawns in us as we realize that dark clouds do not ruin sunny skies... they merely pass through them to help us remember our love of the light.
Yes!--still I love thee: Time, who sets
His signet on my brow,
And dims my sunken eye, forgets,
The heart he could not bow;--
Where love, that cannot perish, grows
For one, Alas! that little knows
How love may sometimes last;
Like sunshine wasting in the skies
When clouds are overcast.
All my early memories are of forms and shapes and textures. Moving through and over the West Riding landscape with my father in his car, the hills were sculptures; the roads defined the form. Above all, there was the sensation of moving physically over the contours of fullnessess and concavities, through hollows and over peaks - feeling, touching, seeing, through mind and hand and eye. This sensation has never left me. I, the sculptor, am the landscape. I am the form and the hollow, the thrust and the contour.
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