A Quote by P. G. Wodehouse
Success comes to a writer as a rule, so gradually that it is always something of a shock to him to look back and realize the heights to which he has climbed.
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Unless a writer is extremely old when he dies, in which case he has probably become a neglected institution, his death must always be seen as untimely. This is because a real writer is always shifting and changing and searching. The world has many labels for him, of which the most treacherous is the label of Success.
It is almost a general rule that nations do not decline gradually. Instead they fall abruptly from their greatest heights.
The analytical writer observes the reader as he is; accordingly, he makes his calculation, sets his machine to make the appropriate effect on him. The synthetic writer constructs and creates his own reader; he does not imagine him as resting and dead, but lively and advancing toward him. He makes that which he had invented gradually take shape before the reader's eyes, or he tempts him to do the inventing for himself. He does not want to make a particular effect on him, but rather enters into a solemn relationship of innermost symphilosophy or sympoetry.
But we look back now, and we realize the Great Society was not a success.
Success is a ladder that cannot be climbed with your hands in your pocket -
The road to success is always under construction
I can't think of a scenario under which [Vladimir Putin] would gradually resign from power. For him and those around him, power became a source of unlimited enrichment. A loss of power would be tantamount to an annihilation of the economic success that has been achieved so far.
Heights of the spirit can only be climbed by passing through the portals of humility.
Shock can kill you. Shock is terrible. But what you've got to do is live in the present, which is what I have always done.
I'm in no position to hand down any advice," he said, "but there's a rule I follow when I don't know what to do." "A rule?" "If you have to choose between something that has form and something that doesn't, go for the one without form. That's my rule. Whenever I run into a wall I follow that rule, and it always works out. Even if it's hard going at the time.
I am thankful that I played the game at a time when the West Indies climbed to heights that have never been repeated.
It's funny: when you make a film, you always look back, and there are always crucial decisions that get made. You look back, and at the time they don't seem like it, but you look back, and you see they were absolutely fundamental.
You think there's a rule book, in a way, until you realize there's absolutely no rule book, and you can use a red carpet to express something about yourself. There are so many wonderful designers in the world, and they create such wonderful things. Why go with something uninteresting?
Intellectuals of [Albert] Camus' age who had previously disliked him now appreciate him. And at that point we come back to literature, and it's agreed that he was always a great writer.
[Hiking] is not that crazy, but when you look back and you see that mountain you just climbed, you say, "I can't believe I did that."
If you purposefully look to shock people, it isn't funny. That's what 50 million dollar Hollywood comedies do; try to be shocking and dirty. They aren't really. It isn't enough to shock. It's easy to shock. Real surprise is what I'm after. Those early movies, we had drugs, which you weren't supposed to show. You weren't supposed to shoot up. We would make fun of hippies. I think that we were punk before there was punk.
In the higher walks of politics the same sort of thing occurs. The statesman who has gradually concentrated all power within himself ... may have had anything but a public motive... The phrases which are customary on the platform and in the Party Press have gradually come to him to seem to express truths, and he mistakes the rhetoric of partisanship for a genuine analysis of motives... He retires from the world after the world has retired from him.
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