A Quote by P. Vasu
Even after nine flops, an actor will get his tenth film. But, if a director gives a flop after nine hits, he will not get another film. That is the way the industry functions.
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I really try to ask myself the question of nine. Will this matter in nine minutes, nine hours, nine days, nine weeks, nine months or nine years? If it will truly matter for all of those, pay attention to it.
My Toussaint [Louverture] film is in limbo. We still hope after all this time that we can find another way to get this film done.
I did a few documentaries as co-director and cameraman. I started off shooting a film about the war in Rhodesia. Then I did a film about an 'around the world' yacht race with a friend, and we spent nine months on a yacht. The film was about how people get on in confined spaces under extreme stress.
If you notice, many star kids don't get signed after their first film flops.
Every film for every actor is a make-or-break film. I believe every film has the power to break you or make you. So, an actor will treat every film like his last film. That's the way we need to work, and that's the way you can drum up that passion needed to do good work.
One word after another. That's the only way that novels get written and, short of elves coming in the night and turning your jumbled notes into Chapter Nine, it's the only way to do it. So keep on keeping on. Write another word and then another.
I'm the non-executive chairman of nine or so major companies, and on the nine companies, it's a little trying because you jump from one industry to another, as the case might be. But one had the reasonable knowledge of those nine activities, and it's been an exciting job.
I love the variety of films. In theater, you go into a room and the director runs the room, so you all work to his or her method. On film, if an actor or an actress is in for a day or two, the director has to get out of that actor what they need, so they have to change and adapt to that actor's technique.
That's the way it is: life inculdes a lot of empty space. We are one-tenth living tissue, nine-tenths water; life is one-tenth Here and Now, nine-tenths a history lesson. For most of the time the Here and Now is neither now nor here.
Nine-tenths of the appeal of pornography is due to the indecent feelings concerning sex which moralists inculcate in the young; the other tenth is physiological, and will occur in one way or another whatever the state of the law may be.
People will watch your film only if it's good. Another star's flop won't make your film a hit. So my race is with myself.
I don't really get stuck in a time warp where, if my film is a success, I have to keep partying till the next one releases, or if my film is a flop, I keep wallowing in sorrow until the next comes my way. My hard work in each film is always there.
Direction is closest to my heart. I may run out of work as an actor as I get older, but I can work as a director even if I live up to be 90. I promised myself that I will direct a film every three years.
I'm a big movie fan. After a show, if I'm on the bus or a plane, it's often hard to get to sleep, so I'll watch a film. An action film can even relax me.
The technology involved in making anything invisible is so infinitely complex that nine hundred and ninety-nine billion, nine hundred and ninety-nine million, nine hundred and ninety-nine thousand, nine hundred and ninety-nine times out of a trillion it is much simpler and more effective just to take the thing away and do without it.
As an actor, I don't want to talk too much about my future films because this industry is such that even after half a film has been complete, it can be shelved.
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