A Quote by P. Vasu

I enjoyed shooting 'Chandramukhi' so much that I would not say it was a relief when the shooting got over. — © P. Vasu
I enjoyed shooting 'Chandramukhi' so much that I would not say it was a relief when the shooting got over.
While shooting in Patiala, I never felt as if I was shooting here for first time, such was the love I got from the locals and Punjabi actors shooting with me.
It becomes a lot better for the actors when we're 'shooting, shooting, shooting,' instead of waiting around in a trailer for something to happen.
I love Calgary. It's a great city. I enjoyed my time there, quite a bit. Shooting and filming in that cold could be very difficult, at times. When you're shooting nights, and it's 3 in the morning and minus 35 degrees, that's hard to work in.
Shooting this one was kind of like a two month party, we would literally play music between takes, and other movies that were shooting on our lot would play hookey, come over and hang out and stuff. We had a great time.
Sometimes, directors are afraid to stop shooting, because the second you stop and say, "We got it," and move on, you'll never get another chance. And they're terrified to get in the cutting room and not be happy. So they just keep shooting.
I only wish the sport of shooting was more reachable and there were training centers all over the country where youngsters could go and try shooting.
Making a mistake means overshooting a scene, shooting too many takes, for instance. Long after you've got it, you just keep shooting.
When a man is shooting a handgun, it's just like he is shooting because that's his job, and he has no other choice. It's no good. When a girl is shooting a handgun, it's really something.
I like shooting movies in Thailand very much because the government is so cooperative there. The police help you to close the roads for shooting.
When I make a movie, it's almost a relief to get shooting 'cause the hell is over, or part of the hell is over.
When Carpenter was shooting 'Vampires' in New Mexico when I was living there, I desperately tried to get a job working on that film, and I couldn't. So my first job as a PA was on a CBS movie of the week that was shooting next door, and whenever I could, I would sneak over so I could watch.
I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once.
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
I loved shooting 'iGo to Japan' because we got to be outside a lot, and our call times were really late because we had so many night scenes. It was pouring rain, so the cast would huddle together in between takes and drink hot chocolate. Shooting that episode was such a great bonding experience.
My mother…was perfectly horrified when I began shooting and tried to keep me in school, but I would run away and go quail shooting in the woods or trim my dresses with wreaths of wildflowers.
When Jordan was averaging over 30 and shooting over 50 percent, he was doing it with less shooting on the floor for himself. He had less spacing to work with. He was going against defenses that were allowed a lot more liberties as far as physical contact, how hard they fouled, and all those things.
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