A Quote by P. Vasu
My desire is to work with youngsters, and I want them to know me.
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It is enough if I can be relevant. It is more about me keeping up with youngsters than influencing youngsters. So I just want to stay relevant, really.
The problem is that there are not enough opportunities for the youngsters in U.P. which forces them to migrate. Our aim is to provide employment to 90% youngsters.
Actors do want to work with me and I'm very grateful for that, but you never know. I could write parts for them that they don't want to play and then all of the sudden they don't want to work with you that much.
I don't know so much about my boys, but my girls, they all work with me. They know how to work. My daughters know it's not done till it's done, even if it's three or four in the morning. I don't want them to grow up with entitlement.
You must lay aside your greed; have no unworthy motive in your desire to become rich and powerful. It is legitimate and right to desire riches, if you want them for the sake of your soul, but not if you desire them for the lists of the flesh.
One of the principal reasons why so many fail to get what they want is because they do not definitely know what they want, or because they change their wants almost every day. Know what you want and continue to want it. You will get it if you combine desire with faith. The power of desire when combined with faith becomes invincible.
For most actors, it's such a struggle to get work. Once they have it, they feel that there's an enormous amount of pressure on them to make it work, and have everyone love them. In my case, it was never like that. It was just about working with the people that I want to work with, and telling the stories that I want to tell, you know?
People desire power. I don't know why they want it so. It seems to me it implies a hugely superior intellect which separates them from most of the populace.
I always to try block everything out, good or bad. I always hope to keep receiving blessings, to have faith, because you know, there's a time to block everything out and just work on your craft, work on everything that you desire to get, desire to want.
The youngsters who live in housing projects are some of the most talented and nicest kids you'll find anywhere. But they're right on the cutting edge - they could go either way. You have to work with them, guide them, and mold them like a piece of clay.
I get up every morning with a desire to do some creative work. This desire is made of the same stuff as the sexual desire, the desire to make money, or any other desire.
The good part about youngsters is that they are so fearless. You want to be like them.
Most development doesn't make it to series. So you want the writer and director to have a really good experience with development because, if it doesn't work out, you want to work with them again. You have to know their work really well, know the drafts really well, and when you give notes, you need to have really thought them through.
I felt really lucky in that I've gotten to know some of my favorite artists; I get to tell them how important they are to me. But that doesn't always make me want to work with people. I feel like if I'm going to work with somebody, it's because I feel like I actually have something to add to them.
Every defensive end who is going to be picked in the first round is going to be a good pick for whoever they're chosen by, but if I had to tell you what sets me apart, that would be my desire and determination to get better. I know what I need to work on, I know my weaknesses, but I have that work ethic to improve every day. I have that want to be the best player at my position, and I have the belief in myself that one day that will come true.
I don't know what's in store for me, but I know that I want to create work, and I want to create an environment where I can bring in my favorite people and collaborate with them, and do something that is so much weirder and so different from what you'd see in commercial film.
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