A Quote by Pablo Neruda
When everything seems to be set to show me off as intelligent, the fool I always keep hidden takes over all that I say.
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You oil field workers, come and listen to me I'm goin' to tell you a story about old John D. That company union made a fool out of me. That company union don't charge no dues It leaves you a-singing them Rockefeller blues. That company union made a fool out of me. Takes that good ole C.I.O., boys To keep that oil a-rollin', rollin' over the sea. Takes that good ole C.I.O., boys To keep that oil a-rollin' over the sea.
You have to keep a little bit extra fat on the body. The strength and conditioning guy is always all over me about it, but it seems to make guys bounce off me better.
If you say, Well, OK, I don't believe in God. There's no evidence of God, then you're missing the stars in the sky and you're missing the sunrises and sunsets and you're missing the fact that bees pollinate all these crops and keep us alive and the way that everything seems to work together. Everything is sort of built in a way that to me suggests intelligent design.
Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take the form of a quite intense feeling, a sort of conflict, one might say, between the visible that is hidden and the visible that is present.
Show me a man or woman who cannot stand mysteries and I will show you a fool, a clever fool - perhaps - but a fool just the same.
Rattle me out of bed early, set me going, give me as short a time as you like to bolt my meals in, and keep me at it. Keep me always at it, and I'll keep you always at it, you keep somebody else always at it. There you are with the Whole Duty of Man in a commercial country.
I urge people not to think in terms of "solutions," but in terms of intelligent responses to the quandaries and predicaments that we face. And there are intelligent responses that we can bring forth. But when I hear the word "solution," I always suspect that there's a hidden agenda there. And the hidden agenda is: "Please, can you please tell us how we can keep on living exactly the way we're living now, without having to really change our behavior very much?" And that's sort of what's going on in this country. And it's not going to work.
I've learned any fool can write a bad ad, but it takes a real genius to keep his hands off a good one.
I have learned that any fool can write a bad ad, but that it takes a real genius to keep his hands off a good one.
We are not naturally intelligent, or happy. In fact, every day it is harder to remain intelligent. It seems often that people get intelligent through pain, but you can't be sure because nobody really can say, "I've been suffering".
I do try to keep my show very improvisational. I don't work off a set list; I like to keep it more in the moment. I like to have information about where I'm going, what might be happening in that particular region as well. I like for people to feel like the show is for them.
Any intelligent fool can invent further complications, but it takes a genius to retain, or recapture, simplicity.
When I started out in fashion, everything had to be very structured and tight and controlling, and now I'm getting to a point where I think - I could wear a great big parka, that could be quite fabulous. I haven't always got to show off my size, show off my shape. It's a turning point for me.
After playing Chopin, I feel as if I had been weeping over sins that I had never committed, and mourning over tragedies that were not my own. Music always seems to me to produce that effect. It creates for one a past of which one has been ignorant, and fills one with a sense of sorrows that have been hidden from one’s tears.
Like my old mentor would always say, Fool me once, shame on you, fool me twice and I'll be dead.'' Okay, she wasn't a good poet, but that lady could handle her whiskey.
You have to imagine - for those who are good dancers, maybe they don't have to train as much - but for me at least, not being a very good dancer you have to hit the reset button every week and come in on Tuesday, the day after the live show, and start all over and learn a whole new dance with a whole new set of emphasis. Some weeks, you want to have body doing one thing. The next week, it's a totally different thing. You always have to relearn everything on a weekly basis and it takes a lot of work mentally and physically.
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