A Quote by Paddy Chayefsky

You don't send a man to his death because you want a hero. — © Paddy Chayefsky
You don't send a man to his death because you want a hero.
A man can be a hero if he is a scientist, or a soldier, or a drug addict, or a disc jockey, or a crummy mediocre politician. A man can be a hero because he suffers and despairs; or because he thinks logically and analytically; or because he is "sensitive"; or because he is cruel. Wealth establishes a man as a hero, and so does poverty. Virtually any circumstance in a man's life will make him a hero to some group of people and has a mythic rendering in the culture - in literature, art, theater, or the daily newspapers.
No hero to me is the man who, by easy shedding of his blood, purchases fame: my hero is he who, without death, can win praise.
It is said that no man is a hero to his valet. That is because a hero can be recognized only by a hero.
No hero is a hero if he ever killed someone! Only the man who has not any blood in his hand can be a real hero! The honour of being a hero belongs exclusively to the peaceful people!
The religious man, the mystic, tries to explore the mystery of death. In exploring the mystery of death, he inevitably comes to know what life is, what love is. Those are not his goals. His goal is to penetrate death, because there seems to be nothing more mysterious than death. Love has some mystery because of death, and life also has some mystery because of death.
I want to play Martin Luther King. I want to tell the real story, his demons, his struggles as a man, not just as a hero but fallible, I want to show that side.
You are a vain fellow. You want to be a hero. That is why you do such silly things. A hero!... I don't quite know what that is: but, you see, I imagine that a hero is a man who does what he can. The others do not do it.
Nobody, they say, is a hero to his valet. Of course; for a man must be a hero to understand a hero. The valet, I dare say, has great respect for some person of his own stamp.
[N]either in war nor yet at law ought any man to use every way of escaping death. For often in battle there is no doubt that if a man will throw away his arms, and fall on his knees before his pursuers, he may escape death; and in other dangers there are other ways of escaping death, if a man is willing to say and do anything. The difficulty, my friends, is not in avoiding death, but in avoiding unrighteousness; for that runs faster than death.
I’m an executioner, Leta, hence my Demon nickname. They send me in to take the heads off people and gods who’ve stepped over the line, usually only because someone has PMS. You want justice, Themis’s office is down the hall on the left. You want death and dismemberment, I’m your man…or rather god. (Deimos)
Dickinson is my hero because she was a joker, because she would never explain, because as a poet she confronted pain, dread and death, and because she was capable of speaking of those matters with both levity and seriousness. She's my hero because she was a metaphysical adventurer.
It's not the large things that send a man to the madhouse... no, it's the continuing series of small tragedies... not the death of his love but the shoelace that snaps with no time left.
No man is a hero to his valet. This is not because the hero is no hero, but because the valet is a valet.
The hero was distinguished by his achievement; the celebrity by his image or trademark. The hero created himself; the celebrity is created by the media. The hero was a big man; the celebrity is a big name.
The story depicts also the troubled part of the hero's life which precedes and leads up to his death; and an instantaneous death occurring by 'accident' in the midst of prosperity would not suffice for it. It is, in fact, essentially a tale of suffering and calamity conducting to death.
We strove for more than 60 years to give Joe DiMaggio the hero's life. From his debut at Yankee Stadium in 1936 until his death in 1999, DiMaggio was, at every turn, one man we could look at who made us feel good.
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