A Quote by Panos Cosmatos

When I was growing up in the eighties, there was a real nostalgic streak for the fifties. Look at 'Back to the Future.' — © Panos Cosmatos
When I was growing up in the eighties, there was a real nostalgic streak for the fifties. Look at 'Back to the Future.'
When we're out of the eighties, the nineties are gonna make the sixties look like the fifties!
There were many influences on me while growing up. In the late Seventies and early Eighties when I was growing up in Hyderabad, it was a bit more laid-back, and that gave you time to think about things differently without perhaps being caught up in the narrow approach to one's journey through life.
Back in the fifties (the nineteen fifties, not the eighteen fifties) I did some writing for Mad Magazine, along with my friend Ernie Kovaks and a pair of comics named Bob and Ray.
In my eighties, my best friends are in their fifties, and I have many friends at university. It keeps one young, and up with the vocabulary. That's terribly important, especially for a writer.
Trans kids are living in the future in a way. When I was growing up, "transgender" wasn't even a word. It wasn't used. Just the naming of something that's invisible, or was thought of as shameful or different - giving it a name that's not a slur is powerful. It's still a little hard to imagine what it might look like growing older as a trans man, but I think that's going to change for the next generation. For trans kids growing up, that visual bridge towards their future selves is starting to develop in conjunction with this trans media wave we're in.
Kindness to me is only powerful if it has the cruel streak behind it. If someone is kind all the time under all circumstances, they're just simple-minded. Kindness is only worth something if you have the cruel streak to back it up.
When I was growing up - say in the fifties - the thirties to me didn't even exist. I couldn't even imagine them in any kind of way, so I don't expect anyone growing up now is gonna even understand what the sixties were all about, anymore than I could the thirties or twenties.
The future is an unknown, but a somewhat predictable unknown. To look to the future we must first look back upon the past. That is where the seeds of the future were planted. I never think of the future. It comes soon enough.
I'm not a nostalgic person: I never look back; I always forget.
I grew up in Wisconsin. It's not like growing up in New York or L.A., where you know somebody's cousin who does this. It was in the back of my mind, but I would never say that I wanted to be an actor, but as I look back, I was in every play I could possibly be in.
I hope everyone can give the audience that real, true experience. But Mandy [Moore] and I, we definitely jump decades, and I think trying to find a base look, so that I can go back to the Eighties, I can jump to the Nineties, it was like, "All right, Milo, you're living in a moustache for a little while." Which I'm perfectly fine with.
There seems to be a real taste for the fantastical these days. People like to get back into their imaginations. Maybe there's something a little nostalgic about 'Grimm' and the fairy tales that they grew up with. And it's a very unique approach to the procedural side of things.
I guess that's one of the things about growing up in the fifties - it never occurred to me that you wouldn't be at least as successful as your parents.
The nostalgic notion of the family orchards is lovely - all that wholesome fruit for our forebears to sit on the back steps biting into - but basically we were growing it to drink.
And I mean, I watched all of 'Friends' in college. I liked it growing up, and it's a very nostalgic show for me.
It evolved from my experience in the fifties, growing up during the McCarthy era, and hearing a lot of assumptions that America was wonderful and Communism was terrible.
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