A Quote by Panos Cosmatos
A lot of films mistake convolutedness for complexity. To me, a simple story can be a powerful spine to build around.
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I think a lot of writers are tempted to add complexity by over-complicating things, but always remember that most natural rules/laws are, at their core, simple. Start simple, and build from there, or you risk getting yourself and your readers tangled.
Normally my films have a single thread of an emotion, an insight or one single belief, and then I turn the entire story and build it around that.
Life can be a lot broader... when you realize one simple thing: And that is that everything around us that we call life was made up by people who were no smarter than you. And you can build your own life that other people can live in. So build a life. Don't live one. Build one. Find your opportunity, and always be sexy.
For me, a story always goes out of a mistake. Somebody makes a mistake, and that becomes the story. Probably that explains why my series are kind of dark: because there's a problem to begin with.
Life can be a lot broader... when you realize one simple thing: everything around us that we call life was made up of people that are no smarter than you. And you can build your own things and you can build your own life that other people can live in. So build a life, don't live one, find your opportunities and always be sexy.
My take is that the kind of complexity which says we can always generate complexity from simple interactions following for example rules.
The most powerful words in English are 'Tell me a story,' words that are intimately related to the complexity of history, the origins of language, the continuity of the species, the taproot of our humanity, our singularity, and art itself.
What they will do is, you know the tabloids. They'll take one element of a story that may be true and they'll build everything around it. Take a picture and invent a story around it.
Among all the complaints you hear these days about the crimes of the media, it seems to me the critics miss the big one. It is that especially TV, but also we of the print press, tend to reduce mess and complexity and ambiguity to a simple story line that doesn't reflect reality so much as it distorts it. ... What bothers me about the journalistic tendency to reduce unmanageable reality to self-contained, movielike little dramas is not just that we falsify when we do this. It is also that we really miss the good story.
People want a story - and my horror films have never been about only ghosts and spirits. They have their share of love, hatred, jealousy and complexity of relationships involved.
Human beings, viewed as behaving systems, are quite simple. The apparent complexity of our behavior over time is largely a reflection of the complexity of the environment in which we find ourselves.
Human beings, viewed as behaving systems, are quite simple. The apparent complexity of our behavior over time is largely a reflection of the complexity of the environment in which we find ourselves.
Life shows no trend to complexity in the usual sense-only an asymmetrical expansion of diversity around a starting point constrained to be simple.
Moves that build powerful core muscles (abs, back, hips, and pelvis) help support your spine, so you stand straighter. They also improve your balance, which starts to deteriorate in your 40s as these stabilizing muscles weaken.
It is incredibly daunting to take on a live-action story. I think that it adds a level of complexity to the responsibility that goes beyond what I've experienced on these two films (The Lorax and Horton Hears a Who).
We, as extremely complex creatures, desperately need to know this story of how the universe creates complexity and why complexity means vulnerability and fragility.
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