A Quote by Panos Cosmatos

I've always liked the idea of merging esoteric art cinema with down-and-dirty exploitation films. — © Panos Cosmatos
I've always liked the idea of merging esoteric art cinema with down-and-dirty exploitation films.
Basically, I have always wanted to have an art-house cinema. A cinema where we can show films that are not necessarily the current offerings on circuit and films that are not commercial.
The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn't.
I'm a big fan of silent cinema and I think that before I got into the canon of European arthouse cinema, the first interesting films I liked as a kid were German expressionist silent films.
The third line of cinema today is neither art nor commercial but categorized as good and bad cinema. I think two films - 'Main, Meri patni aur Who' and 'Main Madhuri Dixit Banna Chahti Hoon' were the base films for this new line of cinema.
We cannot put cinema in parallel with the political, because politics are something dirty and cinema is not dirty.
2019 is proving to be a golden year of Malayalam cinema... As an actor, I have always classified films as either good ones or bad ones... I had five films that released this year in the cinemas and our audiences liked every one of them.
My plays are always pushing towards cinema anyway. They're down and dirty, real and more fun.
American films are the best films. This is a fact. Cinema is - along with Jazz - the great American art form. And cinema in a very real sense created the American identity that has been exported around the world.
The cinema is not an art which films life: the cinema is something between art and life.
It always sounds kind of trivial, but when I was a kid I was always so impressed by how serious the comic books were. I always liked how they were half way between literature and the cinema. I liked the visuals and I liked the simplicity of a certain type of moral dilemma.
It's just odd that something as essential in life as sex has been flattened out in mainstream cinema - and in art cinema. Even in art movies, sex always seems to be treated negatively. Why does it always end in disaster?
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
I watched films growing up, but no more than the next guy, really. Working on 'Hugo' made me appreciate cinema and the art of cinema a lot more.
I loved the idea of the fact that the way, like I said, they colored outside of the lines. You know, there was rules that they didn't have to follow. And you got -you got - you could get more of a sensational thrill, all right, with some of these exploitation movies or art films, or you could get something you wouldn't see at the normal cineplex.
For British cinema to survive, you really need a British film culture, and it's got to start down there, with young kids watching films in the cinema - so they can be transported to a different world.
It is my first preference to do films with social significance. Art cinema has given me credibility and status as an actor, but commercial cinema has given me a comfortable living.
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