A Quote by Paolo Pellegrin
It sometimes happens that you just know... You have a feeling that things are coinciding, and that they operate and work on a number of levels - obviously visual aesthetics, but also content and narrative in terms of the bigger picture. When document and metaphor come together.
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Why can't a photograph be all four things at once? -be an art object; be a document, what ever that means exactly, but deal with content; be a formalist exploration; and operate on some, metaphor is not the right word but, resonant level.
Outlier' came together pretty quickly. There's no real telling why that happens, sometimes the thing is just more intricate and takes longer you know, there's actual labour to be done in terms of sound design whereas other things are much freer.
For myself, the only way I know how to make a book is to construct it like a collage: a bit of dialogue here, a scrap of narrative, an isolated description of a common object, an elaborate running metaphor which threads between the sequences and holds different narrative lines together.
In the film industry you never really know if all the various ingredients will come together - sometimes they do, and sometimes they don't. As an actor, you don't have much control over those things. It's a director's medium in that sense. All you can really do is minimise the risks of being involved in something that might not work and look for something that also suits you.
With fiction, you can talk about plot, character and narrative, whereas a poem brings home the fact that everything that happens in a work of literature happens in terms of language. And this is daunting stuff to deal with.
I always do casting for every role, even if it's just one sentence. I like to work with theater actors because they're used to a process. I think filmmaking sometimes can become so stiff. Sometimes I have the feeling that people come together praying in the morning that, "Let's just shoot something, no matter what! Let's just finish this day, no matter what we will tape!"
A work can do many things at once, and it doesn't have to be just about the world, it could also be about photography, it could be about perception, it could be an exploration of the medium. It could be a document, it could be a visual poetry, and it could be a formal exploration all at the same time.
I heard we'll get you a pass because we know you're married to a black woman. You're married to a sister so we'll give you that pass but also, those who know me but also if they look at the body of work, it is the bigger picture.
I don't have anything to say in any picture. But you do, from your experience, surmise something. You do give a photograph symbolic content, narrative content... But it's nothing to worry about!
There are a lot of classic Goapele tracks that are obviously me. And I'm also just trying to keep evolving and grow as an artist. I've always had a wish list of producers I wanted to work with. I just wait until the feeling is mutual and go into the studio to see what we can come up with.
As editor of WikiLeaks, I am very proud of three things. Number one, we have never got it wrong in terms of what we say. A document is what it is. Number two, we have never revealed one of our sources ever. Number three, what are we proud of? We are proud that there is not a single instance of anyone coming into physical harm as a result of our publication.
Symphony is the ability to see the big picture, connect the dots, combine disparate things into something new. Visual artists in particular are good at seeing how the pieces come together. I experienced this myself by trying to learn to draw.
Sometimes things work out on the golf course and sometimes they don't. Life will go on. You try to understand what happens, but maybe today I don't want to know. I just screwed up so maybe I should just put it behind me.
I think that when you're writing plays, and I think it's also true with novels, it helps to have an ear for the music of language, for what we call poetry, for the sound effects and the way that the sound can produce sensual feeling at odds with or consonant with the content of the work. Your work is also gorgeous writing. It's very unfortunate when you open a novel that everybody's loving and it's just, you know, an excruciatingly bad sentence.
Sometimes they work, and sometimes they just won't. Sometimes you get hung up on them. When that happens, you just throw it back, and maybe come back to it two or three weeks later.
There's some ambient music that doesn't do anything. I wouldn't say that that's narrative. It is narrative in that it creates a sort of world where nothing happens, where really nothing happens, so you become a different person after hearing eight minutes of exactly the same thing. Yes, I hear music all the time in which one idea is strung together to another idea, and I feel that such music is non-narrative.
