A Quote by Paolo Sorrentino
Rome is a city where in every corner you have a reminder of the sacred world. That's why I have sacred music, minimalist sacred music, which is also music I like, because at the end of the day, that's what I want to do.
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I was criticized by some people for my first album because they said I was taking sacred music. They knew nothing about what I was doing. That was no sacred music; that's music I wrote.
Armistice Day has become Veterans' Day. Armistice Day was sacred. Veterans' Day is not. So I will throw Veterans' Day over my shoulder. Armistice Day I will keep. I don't want to throw away any sacred things. What else is sacred? Oh, Romeo and Juliet, for instance. And all music is.
From the animist point of view, humans belong in a sacred place because they themselves are sacred. Not sacred in a special way, not more sacred than anything else, but merely as sacred as anything else -- as sacred as bison or salmon or crows or crickets or bears or sunflowers.
Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.
Pathology is a relatively easy thing to discuss, health is very difficult. This, of course, is one of the reasons why there is such a thing as the sacred, and why the sacred is difficult to talk about, because the sacred is peculiarly related to the healthy. One does not like to disturb the sacred, for in general, to talk about something changes it, and perhaps will turn it into a pathology.
An authentic updating of sacred music can take place only in the lineage of the great tradition of the past, of Gregorian chant and of sacred polyphony.
Laughter is a holy thing. It is as sacred as music and silence
and solemnity, maybe more sacred. Laughter is like a prayer, like
a bridge over which creatures tiptoe to meet each other. Laughter
is like mercy; it heals. When you can laugh at yourself, you are
free.
The Medicine Man occupied the honored role of priest and physician to his tribe. They understood that healing was done by the intercession of celestial spirits. Music was used as the bridge between these planes. Thus we see why music was religious in nature, and music was looked upon as a sacred art.
Music, for me, is the most sacred of the arts. I say that because music communicates in a way that no other art form can. All great art has a spirit that we recognize and appreciate, but music goes directly to your heart.
What we call music in our everyday language is only a miniature, which our intelligence has grasped from that music or harmony of the whole universe which is working behind everything, and which is the source and origin of nature. It is because of this that the wise of all ages have considered music to be a sacred art. For in music the seer can see the picture of the whole universe; and the wise can interpret the secret and nature of the working of the whole universe in the realm of music.
Musically, New York is a big influence on me. Walk down the street for five minutes and you'll hear homeless punk rockers, people playing Caribbean music and reggae, sacred Islamic music and Latino music, so many different types of music.
Music is like a really sacred, awesome thing. That first 45 minutes to two hours that you're on stage spending time with music every night is always really great.
Every form of life is sacred. It is not possible to have an activity that is not sacred...Coming to see everything as sacred and honouring everything is spiritual development.
The point is that most of what we currently hold sacred is not sacred for any reason other than that it was thought sacred yesterday.
When the Sacred Masculine is combined with the sacred feminine inside each of us, we create the 'sacred marriage' of compassion and passion in ourselves.
Music needs to have a real sacred setting for people to understand it. You've got to start things off with friends who are like-minded or even strangers that are like-minded. Sending your music to established artists or labels or magazine, I mean there is something to be said for tenacity, for trying to pursue recognition that way, but it just doesn't make sense for the best work. And if you do make an amazing work, it's sometimes not the best way to be heard. You have to get on a sacred space, like a stage, and do your testifying that way.
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