A Quote by Park Chan-wook
The reason I want to show shocking things is that they always pose an ethical question.
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The way Disney characters move, they're very kind of slow and fluid and flowing; one pose kind of eases into the next. If you look at a show like 'The Simpsons' and subsequently a show like 'Family Guy' - the characters will jerk from pose to pose a lot, a bit more snappy. Which sort of goes along with the writing tone of the show.
I always want to see films that are startling and amazing. Not just shocking. Shocking is easy to do. But startling in the way that makes you change how you think about things. Those are the movies I like the best.
People always say that my work is sensational or shocking but there are truly shocking things you could do, and my sculptures don't go anywhere near that.
I want to be real. I don't want to pose as anything. I don't want to pose as a tough guy. I don't want to pose as a nice guy.
People want their reason for living to be a singular thing, like a career or a relationship, because this makes an individual feel secure in the physical world. We don't fare well in the realm of the invisible - so telling someone that their purpose is multilayered and includes the arduous journey of discovering who they really are is not always the answer they want to hear. But consider the complexity of the question: "What is my reason for living?" How can that question not include a journey into the depths of your own life?
Man is the "ethical animal" ethical in potentiality even if, unfortunately, not in actuality. His capacity for ethical judgment like freedom, reason and the other unique characteristics of the human being is based upon his consciousness of himself.
And in high school, people are always watching so there's always a reason to pose.
A civilized society must count animals as worthy of moral consideration and ethical treatment. The question is not, Can they reason? nor Can they talk? but, Can they suffer?
There is no learning without having to pose a question. And a question requires doubt.
Everywhere, the ethical predicament of our time imposes itself with an urgency which suggests that even the question Have we anything to eat? will be answered not in material but in ethical terms.
After tiny has tried ballerina pose, swing-batter-batter pose, pump-up-the-jam pose, and top-of-the-mountain-sound-of-music pose in the reflection of the bean, he walks us to a bench overlooking lake shore drive.
There's always a question of duration, there's a question of who the orchestra is. No one is free to write what you want - you collaborate on a film score, and one of the good things is that someone else's work is motivating you.
A friend of mine asked me a question at the end of 2015. We were going over my finances and setting things up for the future when she said, "What do you want to do when you retire?" I said, "I always wanted to do a food show."
Is it shocking that it's very difficult for a news organization to do news in America now? It's not shocking because we're a culture that doesn't want news. We want entertainment. We want info-tainment. That's why CNN is having problems.
I always seek to mobilize, to call on the imagination of the spectator. It's well-known that the images that are created by one's imagination are far stronger than any that I can show. In fact, it's an error, a widespread error in mainstream cinema, to always want to show things and to depict things.
On Girls I like being a mouthpiece for the issues I think young females face today. It’s always shocking when people question whether it’s a feminist show. How could a show about women exploring women not be? Feminism isn’t a dirty word. It’s not like we’re a deranged group who think women should take over the planet, raise our young on our own and eliminate men from the picture. Feminism is about women having all the rights that men have.
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