A Quote by Park Chan-wook

Certain subjects may no longer be taboo in cinema. But there are ways to treat them that still create shock. — © Park Chan-wook
Certain subjects may no longer be taboo in cinema. But there are ways to treat them that still create shock.
I've fallen out very badly with some of the subjects I've interviewed, because they see their lives a certain way; to step into a cinema and see your life depicted in another way can come as a terrible shock.
I came to Hollywood and I loved it. It was a great time, but in my head I was still elsewhere, in Europe. I believed in a certain cinema, which I still do believe in - a certain European cinema - and as a young woman being in America, I thought I was being taken away from that.
You can treat musicians like actors - you give them a roadmap but don't tell them what to do, and let their personal style or interpretation speak in the piece. And in both film and music, you create a space where people feel safe to do their best. You treat songs like scripts that can be interpreted a lot of different ways.
By virtue of some of the ways the game is played, in terms of message discipline, in terms of access for reporters, and especially in the way that sources and subjects, especially famous subjects, treat the media, almost by default there's more news that's falling into books.
I don't really follow television so much, but in the old days there was a certain way TV was, and it wasn't really like cinema. I don't know how many ways it was different or the same, but it was not quite like cinema. Now, cinema can happen on television.
We can't treat issues as taboo because we find them unpleasant.
Pure photography allows us to create portraits which render their subjects with absolute truth, truth both physical and psychological. That is the principal which provided my starting point, once I had said to myself that if we can create portraits of subjects that are true, we thereby in effect create a mirror of the times in which those subjects live.
Why do people go to the cinema? What takes them into a darkened room where, for two hours, they watch the play of shadows on a sheet? The search for entertainment? The need for a kind of drug? ..I think that what a person normally goes to the cinema for is time: for time lost or spent or not yet had. He goes there for living experience; for cinema, like no other art, widens, enhances and concentrates a person’s experience-and not only enhances it but makes it longer, significantly longer. That is the power of cinema: ‘stars’, story-lines and entertainment have nothing to do with it.
I do not believe that the tendency is to make men and women brave and glorious when you tell them that there are certain ideas upon certain subjects that they must never express; that they must go through life with a pretence as a shield; that their neighbors will think much more of them if they will only keep still; and that above all is a God who despises one who honestly expresses what he believes.
Today's generation likes stand-up comedies in which the performers give their take on a number of subjects. Some of them are a taboo, but youngsters enjoy them. However, when we act in a drama, what is uppermost on our mind is the people's perceptions and opinions.
Books can create a depth of story, a background of information and ideas, that televison and movies can't. Sure, the television shows may shock, but only on a superficial level. They'd never risk market share to really explore the issues. They report, but don't analyze or suggest any new ways for living our lives.
Anything that you can shock somebody with. The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.
You are to consider that a certain melancholy and often a certain irascibility accompany advancing age: indeed it might be said that advancing age equals ill-temper. On reaching the middle years a man perceives that he is no longer able to do certain things, that what looks he may have had are deserting him, that he has a ponderous great belly, and that however much he may yet burn he is no longer attractive to women; and he rebels. Fortitude, resignation and philosophy are of more value than any pills, red, white or blue.
I feel like I still am struggling in a lot of different ways. I still have to fight for certain things. Certain jobs. At least I'm working and I'm thankful for that.
I feel like I still am struggling in a lot of different ways. I still have to fight for certain things. Certain jobs. At least I'm working and I'm thankful for that
Hollywood is no longer the top. I love going to the cinema. I've always adored the idea of being in great, epic films. But they just don't really exist anymore. It's a real shame. There's great auteurs that create small movies, but it's really hard for anyone to see them, and for them to make any sort of money, or for them even to be made in the first place.
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